Baklava sa orasima — crisp phyllo layers with walnuts and lemon syrup
Baklava sa orasima is one of the Serbian household versions of a pastry family shared across the Balkans, Turkey and the eastern Mediterranean. In Serbia, walnuts are a familiar filling, and the pastry sits comfortably beside other sweets shaped by Ottoman culinary contact. That context is more useful than trying to assign the whole pastry to one modern national border.
This recipe uses ready-made thin phyllo, which makes layer management the central technique. Phyllo dries fast once its package is opened, so only the sheet being placed should be exposed. The remaining stack stays under a clean towel. Cracked sheets are still usable inside the baklava, but the final top layers should be as intact as possible because they form the visible crisp surface.
Walnuts are ground fairly fine so the filling forms an even layer instead of pushing sheets apart. Sugar is mixed directly with the nuts, while sunflower oil and sparkling water are combined separately and brushed in thin films. The aim is lubrication, not saturation. Puddles of oil produce a heavy bottom layer and can keep the pastry from becoming brittle at the edges.
The baklava is cut before baking. Those channels let heat reach the inner layers and later guide syrup through the pastry. A 180 °C oven should bring the top to a deep, even gold; a pale top usually means the inner phyllo is still leathery. The pastry must be genuinely crisp before syrup is introduced, because syrup cannot correct underbaked layers.
For the soak, temperature contrast is deliberate: hot pastry receives cooled syrup. The liquid should be ladled slowly along the cuts and across the surface, giving it time to descend instead of pooling on top. Several hours of rest then equalise the moisture. A good piece bends slightly at the syrupy lower layers but still gives a dry crackle from the upper phyllo.