Greece is a popular destination for those seeking a more liberated beach vacation, thanks to its abundance of coastal treasures and world-famous historical sites, fascinating…

Nicosia stands apart among European capitals for its layered history and singular present. Straddling a deep cultural fault line, it has served as the island’s seat of power for more than a millennium and yet remains, today, the only divided capital on the continent. Its streets bear witness to millennia of human settlement, to Ottoman governors and Venetian fortifications, to colonial struggles and unresolved national tensions. Beneath an unrelenting sun, the city’s stony walls and narrow alleys give way to modern avenues of glass and steel, financial districts and university campuses. An observer attuned to its rhythms will find in Nicosia the resonance of an ancient past, the urgent pulse of contemporary commerce, and the quiet, daily endurance of people who navigate contested space with both care and candor.
Archaeological evidence confirms that the site of Nicosia has been occupied for at least 4,500 years. By the tenth century, it had supplanted Salamis as the island’s administrative centre, a status it has maintained ever since. In the fourteenth and fifteenth centuries, Lusignan and Venetian rulers transformed the settlement into a fortified citadel: today’s characteristic star-shaped walls, with their eleven bastions and three gates, date from this era. The Kyrenia, Famagusta and Paphos gates—which once controlled the flow of goods and people to the north, east and west—remain remarkably intact. Their stonework, soot-darkened and wind-worn, stands as a monument to both defence and the cosmopolitan commerce that once threaded through the city.
The mid-twentieth century brought ruptures that would reshape Nicosia forever. Following independence from Britain in 1960, tensions between the island’s Greek and Turkish communities erupted into violence. In December 1963, streets such as Ledra—long the busiest commercial artery of the old city—turned into flashpoints and were sealed off. By 1964, Turkish Cypriots had withdrawn into enclaves; by 1974, the Turkish army’s intervention after a coup in Nicosia had carved the island in two. A demilitarised buffer zone, patrolled by the United Nations, now bisects the city from east to west. Shops and cafés stand empty in the strip known as the Green Line, while patrolling peacekeepers keep watch. Even today, the boundary at Ledra Street—reopened in 2008 after decades of closure—carries the weight of contested memory.
South of the buffer zone lies the internationally recognised capital of the Republic of Cyprus. Its narrow lanes give way swiftly to the broad, tree-lined boulevards of modern government and finance. Lawmakers convene in the Legislative Bureau, offices cluster along Makariou and Themistokli Dervi Avenues, and the Central Bank occupies the Acropolis quarter. Major Cypriot lenders—Bank of Cyprus, Hellenic Bank and the former Laiki Bank—maintain their headquarters here, alongside Cypriot branches of the “big four” accounting firms and multinational technology operations. In 2018, Nicosia ranked thirty-second worldwide in purchasing-power wealth, and the 2022 Globalization and World Cities report placed it among Beta-minus global cities, a testament to its growing role on the international stage.
Set in the rain shadow of the Troodos Mountains, Nicosia endures long, parching summers and mild, if occasionally frosty, winters. Precipitation accumulates chiefly between November and March; snowfall is rare and has been recorded only a handful of times since weather observations began in 1950. On 4 September 2020, the mercury soared to 46.2 °C—the highest ever in Cyprus—while on 25 February 2025, it dipped to –3.7 °C, a record low for the Athalassa station. Yet, despite its Mediterranean setting, the cityscape greets residents and visitors with scant greenery: trees cover a mere three per cent of the municipality’s area, making Nicosia Europe’s capital with the fewest urban woodlands. Efforts to expand parks and street-tree planting have met with bureaucratic and financial hurdles, even as citizens voice mounting concern over heat stress and environmental quality.
Walled and narrow, the old city unfolds in concentric rings of medieval streets. Ledra Street, just over a kilometre long, threads through the heart of this labyrinth. Historically known as “The Murder Mile” during the anti-colonial struggle of the 1950s, it now hums with boutiques, cafés and the occasional street musician. Adjacent alleys lead to Onasagorou Street—another stretch of shops—and to Faneromeni Square, the former civic core before partition. Here, one finds the church, school and library that bear the name of the Virgin’s apparition. A marble mausoleum stands in memory of bishops executed by Ottoman authorities during the Greek War of Independence. Nearby, the Palace of the Archbishop—rebuilt in 1956 in a Venetian revival style—ushers visitors toward St. John’s Cathedral, completed in 1665 and adorned with Gothic arches and frescoes more typical of France than of Cyprus.
Beyond these monuments, three gates afford entry to the old town. The Kyrenia Gate once opened toward the northern coast; the Famagusta Gate toward the island’s eastern ports; the Paphos Gate toward the western plain. Today, Famagusta Gate hosts art exhibitions and chamber concerts, its vaulted chambers echoing to the strains of string quartets. Outside the walls, Eleftheria (Freedom) Square emerges as the modern focal point, redesigned by Zaha Hadid Architects and unveiled in 2021. Its undulating forms and open lawns bridge the ancient walls to the grid of the new city, uniting historic stone with contemporary glass.
Among Nicosia’s array of museums, the Archbishop’s Palace houses one of Cyprus’s finest Byzantine-icon collections, religious paintings that span the island’s Orthodox tradition. The Leventis Municipal Museum—which won European Museum of the Year in 1991—traces local life from antiquity to the present day in a restored nineteenth-century mansion. Elsewhere, the National Struggle Museum chronicles the 1955–1959 guerrilla campaign against British rule, while the Cyprus Ethnological Museum—housed in an eighteenth-century dragoman’s residence—reveals domestic life under Ottoman governance. A Folk Art Museum, a police museum, a postal museum and a motorcycle museum fill out the roster, ensuring that virtually every facet of Nicosia’s past has its own curated space.
Religious diversity adds another layer to the old city’s character. Within a few blocks stand Greek Orthodox, Armenian Apostolic, Latin Catholic and Maronite churches; a small Buddhist temple; Anglican and Evangelical chapels; mosques of Ottoman lineage; and even the synagogue of Cyprus’s Jewish community. Their co-location—sometimes on the very same street—speaks to a history of coexistence and exchange that has endured, however tenuously, through colonial repression and intercommunal strife.
On the Turkish Cypriot side of the divide, the old city also revolves around a central square, Sarayönü. Here, the sixteen-metre Venetian Column—transported from Salamis in 1550—anchors the plaza, its spiralling capital topped by a now-empty griffin’s nest. Girne Avenue, nicknamed the symbol of the walled city, leads northward from Sarayönü to Kyrenia Gate and İnönü Square, flanked by cafés and small shops. Just off Ledra’s checkpoint, the pedestrianized Arasta area preserves the Ottoman tradition of covered bazaars: narrow lanes of stalls offering local crafts, spices and sweets.
Nearby, the Büyük Han—built in 1572 as an inn for caravans—has been restored as a cultural centre, its arcaded courtyard now hosting galleries and cafés. The nineteenth-century Samanbahçe neighbourhood, hailed as Cyprus’s first social housing project, endures as a living residential quarter, its villas and communal gardens a testament to Ottoman urban planning. Dominating the skyline is the Selimiye Mosque, originally the Gothic cathedral of St Sophia (1209–1228), whose vaulted nave and pointed arches remain among the finest examples of medieval church architecture in the eastern Mediterranean. Adjacent stands the Bedesten, a fourteenth-century market hall blending Byzantine and Gothic motifs, which now hosts concerts and cultural events.
In both sectors, twentieth-century growth extended the city well beyond its ramparts. To the south, sprawling suburbs and university campuses line the A1 motorway, which links Nicosia to Limassol and Paphos; the A2 and A3 connect to Larnaca and the coastal resorts. Northward, the Dereboyu Avenue serves as the modern entertainment spine, with its bars, clubs and malls. Nicosia Mall, the largest in Cyprus, draws visitors from across the divide. Despite ambitious plans for a tram network and periodic talk of reviving rail service, buses remain the backbone of public transit: OSEL in the south until 2020, LETTAŞ to the north. Metro or light rail have yet to materialise, while a network of cycle lanes and a city-run bike-share system attest to growing interest in alternatives to road traffic.
Air travel connects Nicosia indirectly. The Republic’s international gateways at Larnaca (50 km southeast) and Paphos (100 km southwest) lie within easy reach by motorway. Within the buffer zone stands the former Nicosia International Airport, its control tower silent since 1974 and now the United Nations Peacekeeping headquarters. On the Turkish side, flights land at Ercan Airport (13 km north), whose international legality remains contested.
To walk Nicosia’s shopping streets is to traverse centuries of exchange. Within the walls, traditional jewelers and fabric shops flank boutique cafés; Laiki Geitonia, a restored pedestrian quarter, preserves cobbled lanes and souvenir emporia. Outside, modern retail chains share space with local mini-department stores and hypermarkets. Newspapers in multiple languages appear at kiosks around Eleftheria Square, which remain open around the clock.
The city’s culinary scene reflects Cyprus’s role at the crossroads of Europe and the Levant. Halloumi—grilled or fried—joins kebabs, meze platters and stuffed pastries at tavernas both rustic and refined. Local beers (KEO, Leon, Carlsberg-licensed) flow alongside commandaria and zivania, while brandy sours—a legacy of nineteenth-century distillation—linger on evening tables. Smoking is widespread in dining venues, and al fresco service extends half the year. Price points remain moderate by European standards: sandwiches for a few euros, kebabs for under ten, full meals for fifteen to twenty, with a pint of beer at four euros.
Café culture, however, is perhaps Nicosia’s most enduring social institution. From early afternoon into the evening, marble-topped tables spill onto sidewalks. Greek coffee and frappés—iced foam-topped brews—wash down sweet pastries and conversations that hover on politics as often as on the weather. Along Makariou Avenue, international chains share block space with venerable local institutions; echoing laughter drifts past display windows of high-fashion boutiques and offices.
Evenings bring a shift in tempo. Bars and live-music venues animate the old town’s inner streets, while clubs on both sides of the divide open as late as dawn. Makarios Avenue becomes a tableau of high-end automobiles and pantheon nightlife, its sidewalks a runway for youth culture. Sports fans find their fix at the GSP Stadium, where APOEL, Omonoia and local teams draw crowds of up to twenty-two thousand. The Nicosia Race Club, on the city’s northern fringe, preserves a colonial-era horse-racing tradition, and the Field Club’s clay courts near the old moat evoke a bygone era—one in which tennis might have drawn a young Marcos Baghdatis to Cyprus’s Davis Cup team.
For those who seek respite in stillness, the restored Hamam Ömeriye occupies a fourteenth-century complex near Tyllirias Square. Couples and individuals come for two-hour rituals of steam, massage and tea, their path traced through Ottoman-era stone chambers carved deep within the city walls. In quieter corners, small cinemas screen international arthouse films and Hollywood blockbusters alike, and the annual Cyprus International Film Festival throws a spotlight on voices from Iran, Japan and Greece.
Nicosia resists easy categorisation. It is a capital of contradictions: ancient and modern, open and closed, peaceful and poised at the edge of conflict. Its walls, once built to repel invaders, now bear witness to a community’s resilience. Its avenues—where finance ministers and café-sitters cross paths—evince the complex grammar of a city shaped by empire, rebellion and the ordinary turn of days. To walk Nicosia is to encounter the scars and hopes of a continent’s divided history, to taste the salt of Mediterranean summers and the tang of citrus in winter air, and to witness, in the steady rhythm of everyday life, the quiet determination of a city still carving its future.
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