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Manama, the capital of Bahrain, unfolds like a living palimpsest, where ancient threads of history interweave with modern high-rise skylines and a desert’s quiet endurance. As Bahrain’s largest city (housing about one-fifth of the kingdom’s people), Manama stands at the northeastern tip of Bahrain Island in the Persian Gulf. First chronicled around 1345 CE, the city passed through Portuguese and Persian hands before the ruling Al Khalifa dynasty established control in 1783. For centuries its economy revolved around pearling, fishing, boatbuilding and trade. Oil’s discovery in 1932 accelerated Manama’s transformation into a financial and commercial hub, but many layers of its past remain visible. From the telltale ruins of Dilmun temples and Islamic-period mosques to stately merchant houses and bustling souqs, Manama’s major sights reveal a city shaped by maritime exchange and cultural encounter.
Perched atop an ancient mound, Qal’at al-Bahrain (Bahrain Fort) bears a UNESCO World Heritage plaque marking it as the Ancient Harbour and Capital of Dilmun. This fort complex crowns a 4,000-year-old tell — an artificial mound built by successive settlers since about 2300 BC. Archaeologists have unearthed houses, workshops, temples and harbor facilities from the Bronze Age up through the early Islamic period. These finds attest to Bahrain’s role as the capital of Dilmun, the famed trading civilization of the Gulf (often mentioned in Sumerian legend). Although only about 25% of the site has been excavated, the recovered remains are extraordinary. A Portuguese fortress (built in 1521) caps the summit, but below its walls lie layers of stone houses, ovens and streets dating back thousands of years. The UNESCO dossier notes that Qal’at al-Bahrain’s 300×600 m site holds “the richest remains inventoried of [the Dilmun] civilization”. Its museum and reconstructed sections allow visitors to trace the city’s transformation: from a Dilmun port town, through Hellenistic and Islamic eras, to a fortified gateway under colonial powers. In essence, Bahrain Fort offers a concentrated microcosm of Manama’s millennia-long history.
Beyond the great fort, Manama preserves numerous landmarks from the late 19th and early 20th centuries, when Bahrain’s pearl trade and merchants flourished. For example, Bin Matar House in the heart of the old city is a fine courtyard house built around 1905 by a leading pearl merchant. Its two-storey coral-stone walls and carved wooden detailing evoke traditional Gulf architecture. In its heyday it hosted traders from India, the Gulf and even Europe, among them the jeweler Jacques Cartier in 1911. Restored to near-original condition, today it functions as a heritage center in the Pearling Path UNESCO area, preserving period furnishings and crafts.
Another grand merchant’s residence lies just over the causeway on Muharraq island. Siyadi (Seyadi) House is a late 19th-century complex built for pearl magnate Abdullah bin Isa Siyadi. With its stucco-decorated courtyard, separate majlis (guest hall) and mosque, it exemplifies vernacular Gulf design. The Siyadi Mosque itself — whose original donation dates to 1865 — is the oldest preserved mosque in Muharraq and still serves worshippers. (Today Siyadi House remains a private home for descendants of the family, but the mosque and majlis are accessible to visitors.) Siyadi House, along with neighboring pearl trade offices and warehouses, forms part of the UNESCO-recognized Pearling Path, which honors Bahrain’s centuries-old pearl diving tradition.
Notable too are Manama’s religious buildings. Al-Fateh Grand Mosque (completed 1988) is the largest in Bahrain, covering 6,500 m² with capacity for some 7,000 worshippers. Named for Ahmed al-Fatih (the Barmakid officer who conquered Bahrain in 1345), it was commissioned by Sheikh Isa bin Salman Al Khalifa on the eve of modern nationhood. Its vast prayer hall (roughly the size of three tennis courts) is capped by a 54-ton fiberglass dome — at the time the world’s largest made of its kind. The interior is clad in Italian marble and softly colored tiles, with an Austrian crystal chandelier — details reflecting Bahrain’s blend of global craftsmanship. (Non-Muslim visitors may tour the mosque outside prayer times, making Al-Fateh an opportunity to appreciate Islamic architecture up close.) Nearby stands Bayt al-Qur’an (House of the Qur’an), a modern complex housing one of the world’s most valuable collections of Quranic manuscripts. Its exterior — a pale geometric design echoing a 12th-century mosque — gives way to a museum of ten exhibition halls and a stained-glass-domed library. Here the printed and hand-copied Qur’ans are a highlight, but the building itself, set beside a small mosque and school, embodies Bahrain’s recent efforts to honor religious scholarship and art.
Manama’s Bahrain National Museum also communicates the islands’ cultural heritage on a grand scale. Inaugurated in 1988 by Sheikh Isa Al Khalifa, the museum’s striking white travertine facade and twin-wing halls sit on a man-made peninsula facing Muharraq. Designed by Danish architects Krohn & Hartvig Rasmussen, the connected buildings total about 20,000 m², housing permanent galleries, temporary exhibit halls, and educational facilities. Inside, the curated halls chronicle six millennia of Bahrain’s story: from Neolithic graves and Bronze-Age Dilmun artifacts to the Hellenistic Tylos era and the arrival of Islam. There are sections on traditional trades, daily life and manuscript heritage, making the museum the repository of the nation’s collective memory. For a visitor, stepping through these halls is like traversing Bahraini time – each exhibit underscores how geography, religion and trade shaped Manama’s identity.
Even before Manama’s medieval chronicles, the landscape outside the city recalls Bahrain’s Bronze Age glory. The Barbar Temples (just 25 km north of Manama) consist of successive ruins of a mass of limestone steps and shrines. Since 1954 archaeologists have uncovered at least three temple phases (c. 3000–2000 BC) built one atop the other. These temples, dedicated to the goddess Inzak, feature huge limestone altars and offering pits. Although only foundations survive today, their scale (stones over 1 m across) conveys a sense of ritual drama. As one writer noted, the layers of Barbar span “a period of some 600 to 800 years”, suggesting that it was an important, continuously revered cult site in Dilmun. Viewers can peer into one excavated well of dressed blocks, where priests may once have gathered for ceremonies. The village above Barbar remains quiet and the site unfenced, offering a serene contrast to Manama’s urban bustle.
Further west sits Al-Adhbah Temple (often called the Ad-Diraz Temple). Excavations in 2019 exposed this smaller but unusually ornate Dilmun temple, tentatively dated to the early 2nd millennium BC. Its gateway and column fragments differ from both Mesopotamian style and the Barbar examples, indicating local innovation. For instance, archaeologists found a distinctive column base with three projecting arms, suggesting a tripod pedestal form absent elsewhere in the Gulf. Pottery sherds and seals found on site confirm its religious use. Today Ad-Diraz’s site is marked by a low stone platform amid date-palm groves, not yet visually dramatic but hinting at a wide cult precinct. Together with Barbar, these Dilmun temples underscore that the flat Bahrain plain once hosted vibrant sacred landscapes – a far cry from today’s traffic.
By the late Islamic period, Manama’s suburban environs featured another landmark: the al-Khamis Mosque, one of the oldest in the region. Ruins of this mosque lie in the south of Manama (the name “al-Khamis” means “Thursday,” referencing a market day) in a modern suburb. Archaeologists have identified two mosque phases: one possibly built in 717 AD under the Umayyads and a larger one built around 1058 AD. The earlier mosques were simple, but the 11th-century structure shows intricately dressed stone and carved Kufic inscriptions – evidence of the Qaramita (Qarmatian) dynasty’s patronage. Today visitors see partly excavated walls and twin minaret bases of the Qarmatian mosque. Though not actively used, this rubble remnant is a tangible link to Bahrain’s early Islamic age. It reminds us that, by the 10th century, Manama’s outskirts were already home to communities large enough to build monumental congregational mosques.
Manama’s historic fabric is not only in stones but in crafts still practiced by island communities. South of the city, the Bani Jamra village is famous for handwoven textiles. In the 19th century, Bani Jamra became Bahrain’s center for cotton weaving, its homes hosting looms where multi-colored fabrics and embroidered garments were made. Wealthy traders spread the cloth across the Gulf, making it a local staple. Even after oil altered life, Bani Jamra artisans preserved their skills; today weaving workshops and the Bani Jamra Textile Factory showcase those techniques. Visitors can still see craftsmen weaving mal’e cloth on traditional upright looms (and sometimes buy silk shawls embroidered by hand). Nearby Bahrain’s textile factory, built in a design inspired by palm-frond dwellings, provides space for weaving demonstrations and classes. This continuity of craft underlines how Bahrain’s rural villages feed into Manama’s culture: city outlets often stock Bani Jamra fabric as heritage souvenirs, keeping the craft alive.
Just east of Manama lies A’ali, the island’s pottery hub. For over two millennia (even during Dilmun times) Bahrain’s red clay was shaped into jars, lamps and gravemarkers – a legacy revived by modern potteries. A’ali’s studios mix local clay and well-water to throw pots on foot-powered wheels, using age-old kiln techniques. Watching a master potter work at A’ali is like seeing the past made present: he crouches in a sunken bench, pedals the wheel with a bare foot and sculpts clay by hand, then loads the vessel into a wood-fired clay oven. Each shop here exhibits every utilitarian form – bowls, lanterns, palm-shaped jugs – as if in a living museum of craftsmanship. Though world markets now sell many ceramics, A’ali remains the heart of Bahraini pottery. Even the Bahrain National Museum features Bronze-Age sherds from nearby tombs, testifying that this craft has endured for thousands of years.
Finally, no cultural history of Manama can omit the Pearl and Pearling Trail that once connected Bahrain to global luxury markets. Centuries before oil, natural pearls from oysters around Bahrain made its fortunes. The city’s wealthier quarters in Muharraq and Manama still display merchants’ mansions and mosques linked to the pearling industry. In 2012, UNESCO inscribed Bahrain’s Pearling, Testimony of an Island Economy site: it comprises seventeen buildings in Muharraq, three offshore oyster beds, and Qal’at Bu Mahir fort on Muharraq’s southern tip. Together they represent the last intact cultural landscape of the once-dominant pearl fishery. As UNESCO notes, Bahrain’s pearling era (from around the 2nd century AD into the early 20th century) shaped the island’s “economy and cultural identity”. Modern Manama honors this heritage through museums (in Bahrain National Museum and Beit Al Quran) and the Pearling Path trail, where restored sites trace the final dives, market stalls and customs houses of that era.
Amidst history and craft, Manama remains very much a living city. No place embodies its sociable essence like Bab Al Bahrain and the Manama Souq. The gateway arch at Bab Al Bahrain (“Gateway of Bahrain”) was built in 1949 by British advisor Charles Belgrave and marks the historic entrance to the old market. In its square and the alleys beyond, vendors still hawk gold jewelry, spices, textiles, perfumes and handicrafts – a reminder of the city’s trading roots. One travel writer described the souq as “a maze of narrow lanes filled with all kinds of wares”, where legend claims you can find “anything from a pin to a gold bar”. Indeed, one turns corners to find dates and nuts piled in sacks, textile bolts, coffee beans in sacks, and clustered perfumes hanging under neon signs. Modern shops and cafes have crept in, but the souq retains an old-world bustle (without using that clichéd word) of bargaining voices and scents of frankincense. Architecturally, the alleys show the layers: some arcaded brick kiosks date to the mid-20th century, others are more recent.
Manama’s commercial life also extends to Sanabis, the old suburb just northwest of Bab Al Bahrain. Once a fishing and pearling village of Baharna families, Sanabis today is known for its shops and mosques. Lorimer’s 1908 gazetteer reported Baharna in Sanabis engaged in boatbuilding and pearling, but now it has malls and city skyscrapers along its roads. Uniquely, Sanabis hosts an Indian-origin Hindu temple hidden amid the souq lanes (built in 1817, dedicated to Shrinathji) – one of the Gulf’s oldest such shrines. This temple, with its painted elephants and carved columns, speaks to Bahrain’s role as a multicultural port. (Today the Indian and Pakistani communities living around Manama often recall Sanabis’s temple and festive public celebrations as part of Manama’s living tapestry.)
The waterfront is another urban highlight. Corniche al-Fateh, Manama’s main seaside promenade, stretches along the northeast coast and offers dramatic views. Laid out from reclaimed land after the discovery of oil, it is today manicured with lawns, date palms and fountains. On one side one sees the placid Persian Gulf; on the other, the glinting towers of Manama’s business district. People in the morning gather for coffee and shisha at corniche cafes; later families stroll and photographers line up for sunset shots of the skyline. The Corniche was designed as a public space to rival any of the region’s new waterfronts, and in fact passes the city’s airport and the marina. One finds public art here too – a famous abstract sculpture of a sail and fish pay tribute to Bahrain’s maritime legacy. Though modern, the setting has become part of Manama’s heritage of social life and is regularly packed on national holidays and free weekends.
As a contemporary metropolis, Manama also boasts striking new constructions. Along the coast and inner bay are gleaming glass towers and islands. The twin Harbour Towers of the Bahrain Financial Harbour (completed 2007) dominate a reclaimed headland just north of Bab Al Bahrain. Each 53-story tower soars 260 meters above the sea, flanking a plaza with shops and cafes. At the base is a marina filled with yachts – a far cry from the dhows of old. Though built during a real-estate boom, today the BFH complex remains an icon of Manama’s urban ambitions. Alongside the towers rises the Harbour Gate shopping mall and the taller Harbour Heights residential skyscrapers, forming an ultramodern neighborhood on what was once the city’s pier. A short bridge leads to Reef Island, an artificial crescent archipelago of luxury condos, hotels and retail that opened in the late 2000s. Designed by UK architects, Reef Island resembles a tropical resort: leisure facilities, marinas, even sandy beaches were created from bare lagoon. It is a symbol of Bahrain’s scarce-land challenge – literally building urban islands in the Gulf. Yet Reef’s villas and cafes now attract locals seeking seaside relaxation, seamlessly extending Manama’s envelope into the water.
Finally, Manama stands at the center of Bahrain’s leap onto the global stage through motorsports. About 30 km southwest of the city lies the Bahrain International Circuit (BIC), host of the annual Formula 1 Bahrain Grand Prix since 2004. Conceived by Crown Prince Salman bin Hamad as a national project, the purpose-built track opened in time for the first F1 race in the Middle East in 2004. Stretching over 5.4 km with sweeping desert views, the circuit drew international attention (and investment) to Bahrain. It hosts other series as well – drag races, GP2/F2, regional touring cars and endurance events. The surrounding parkland and paddock have become a leisure zone in themselves, with golf courses and a motorsport museum in the works. For Manama, the circuit symbolizes how a capital city once defined by pearls and oil now embraces a globalized identity: high-performance sport sharing the same Bahrain name.
Visitor Tips: Manama’s attractions span a large area, so plan on transportation by taxi or rental car (local buses connect some main sites). Bahrain International Circuit is far southwest and best visited by tour or with advance booking, while the Tree of Life (in the southern desert) often requires a 4×4 to reach. Most museums (Bahrain National Museum, Beit al-Qur’an) are closed on Fridays, so check hours. The souq, Bab Al Bahrain and bay corniche are easily walkable in downtown Manama. Alcohol is served in licensed venues (beer gardens along Gulf Road, hotels), but public drinking is forbidden. Bahrain’s climate is hot from April to September; autumn and spring have pleasant evenings by the water.
Manama today is not a museum piece but a lived city. Yet each of these landmarks – from the 4th-millennium mound of Bahrain Fort to the glass façade of the Financial Harbour – carries a story. Walking through Manama, one senses how time and trade have layered cultures upon its streets: Dilmun settlers, Islamic caliphs, British advisors and modern global financiers have all left their mark. The result is a city of contrasts and continuities. In one day a visitor might move from the serenity of a temple ruin or the Tree of Life in the sands, to the cool marble halls of the Grand Mosque, to the teeming lanes of a heritage souq, and finally to an evening sipping coffee on the modern corniche against a backdrop of skyscrapers. Manama thus offers a richly human tableau – a place where the past’s whispers mingle with the cadence of present life, forming a capital that is as reflective as it is forward-looking.
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