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Situated in Beijing’s very center, the Forbidden City is a massive reminder of China’s imperial past, a place where mystery and history coexist. Known in modern times as the Palace Museum, this vast complex gets its name from the strict limitations placed on access. It was a refuge set aside just for the Emperor, his royal family, and a small cadre of servants and officials for millennia. Under the cover of mystery, common people could only see its splendor from a distance until the dawn of the 20th century, when the gates were at last open to the public.
Early in the 15th century, a time defined by the ambitious vision of the Ming dynasty’s Yongle Emperor, the Forbidden City came to be. Starting in 1406, the building took an arduy of 14 years and involved the work of almost 200,000 people. Like those who worked on the Great Wall, these craftspeople lived in dangerous circumstances and many of them perished from the hard reality of their employment. Comprising almost 900 buildings and an incredible 9,999 rooms, each a storehouse of history and artistry, the Forbidden City was an architectural wonder upon completion.
For five centuries, this imperial enclave housed the seat of power for ten Qing emperors and fourteen Ming emperors, a family that helped to define the very fabric of Chinese civilization. The Forbidden City moved from a sovereign bastion to a public museum inviting the world to explore its storied halls only in 1924, with the abdication of the last emperor.
Among the several stories that surround the Forbidden City, one particularly speaks to the very core of imperial ambition and the artistic sensibility of workmanship. Legend goes that the city was surrounded by a strong red wall without watch towers when it was first planned. The emperor dreamed of four great towers, each guarding the edges of the city, one fatal night. When he woke up, he ordered their quick building and called for the best artists from all around.
Though they failed to reflect the emperor’s dream, the first efforts produced remarkable buildings. Tragic turn of events saw these towers taken down and the craftsmen met a terrible end. Undeterred, a second group was called forth; the spectre of failure savers their spirits. One of the craftsmen saw a grasshopper imprisoned in a cage and, among their hopelessness, inspiration hit. The fragile symmetry of the cage set off a creative spark that produced a design reflecting the vision of the emperor.
The last watch towers were built thus, reflecting the core of the grasshopper’s cage. The emperor approved of them when they presented them, so confirming the legacy of the craftsmen and stressing the careful balance between authority and creativity.
Today, the Forbidden City is a dynamic portal to the rich tapestry of Chinese history rather than only a relic from the past. Guests are invited to meander across its grand courtyards and lavish halls, where the air echoes emperors and empresses. Adorned with vivid colors and symbolic ideas, the complex architectural artistry tells tales of power, spirituality, and the complex dance of government.
One senses the contrast of grandeur and intimacy as one follows the paths of this old citadel. From the ceremonial halls where imperial decrees were announced to the peaceful gardens providing comfort to tired leaders, every corner reveals a different aspect of its past. For those who try to solve its riddles, the mysterious beauty and historical relevance of the Forbidden City still enthrall the hearts and brains.
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