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In the early morning light of Havana’s Old Town, a pastel-colored Spanish colonial arcade still stands as if frozen in time. Laundry hangs from its wrought-iron balconies and a 1950s Chevrolet squeaks into view along the cobblestone street. This is Cuba: the only place where American cars older than some of their drivers amble alongside new Chinese taxis, vintage colonial facades face off with Soviet‐era apartment blocks, and music from African‐derived Rumba beats drifts past gray‐market shops. Here the ash-and‐smoke of a revolutionary past still stains architecture, schools and hospitals built on socialist ideals still hum with life, and a nation beats on under a punishing embargo – yet produces virtuoso artists, doctors and athletes in equal measure. Cuba is a country of vibrant contradictions and singular heritage, “a very particular country,” as one historian puts it – not merely Caribbean or Latin American but bearing its own imprint on the globe.
Cuba’s modern identity was forged in fire and idealism. After decades as a Spanish colony and a brief troubled independence under U.S. influence, Cuba’s national narrative pivoted on the Revolución Cubana of 1959. The guerrilla movement led by Fidel Castro – a young lawyer turned insurgent – stormed barracks and mountain strongholds beginning in 1953, chipping away at the dictatorship of Fulgencio Batista. After six years of struggle through the Sierra Maestra and beyond, Castro’s rebel forces triumphed: on New Year’s Day 1959 Batista fled the island, and the revolutionary government took power in Havana. “The Cuban Revolution was an armed uprising… that eventually toppled the brutal dictatorship of Batista”. Che Guevara, Camilo Cienfuegos and countless others became folk heroes and their images still adorn billboards and bandanas; heroes and martyrs of the Revolution (from José Martí to Camilo) are enshrined in every city plaza and school classroom.
From the outset, the new regime radically remade Cuban society. In the 1960s the revolutionary government nationalized private industry, divided large sugar and cattle estates into co-operatives, and created state-run factories. Cuban alignment with the Soviet Union brought economic aid and military backing, but also Cold War confrontation (the failed Bay of Pigs invasion in 1961 and the Cuban Missile Crisis in 1962). Under successive Castro brothers, Cuba declared itself a socialist state. By 1965 the separate rebel movements were merged into a single Communist Party. The 1976 constitution enshrined that party as the vanguard of the nation, the only legal political organization – a status reaffirmed in 1992. Revolution became a perpetual project: Cuba boasts martyrs’ monuments, youth brigades wear uniforms, and even children learn Revolution songs. Fidel Castro remained at the helm until 2008; his brother Raúl (himself a guerrilla commander) took over and oversaw gradual market openings. In 2018 Cuba finally saw its first post-Castro president: Miguel Díaz-Canel (born 1960) – who, remarkably, became the first person since 1959 not named Castro to lead Cuba. As Britannica recounts, Diaz-Canel was the handpicked successor to Raúl Castro as both President and First Secretary of the Communist Party, marking the first handover of power outside the Castro family in six decades. Yet even today, Fidel’s image remains ubiquitous; Revolution anniversaries are national holidays; and ¡Hasta la victoria siempre! (“Until victory always!”) still rings in sports stadiums and schools alike.
Cuba’s constitution and institutions are the legacies of that single-party revolution. Officially a “socialist republic,” Cuba’s state is headed by a president and prime minister, but it is the Communist Party of Cuba (Partido Comunista de Cuba, PCC) that rules the roost. Under the 1976 constitution, the PCC was affirmed as the only permitted political party, “organized vanguard of the Cuban nation”. In practice this means elections without opposition: candidates are vetted by the party, civic organizations, and mass unions, and only PCC-sanctioned ‘nominees’ appear on ballots. The government maintains tight control over media, assembly and religion (a legacy of Cold War secularism and security concerns). Dissent – whether journalism, art or protest – is often suppressed, leading to a chronic undercurrent of frustration among younger generations. Even so, the Party frames itself as the embodiment of the Revolution’s promise, and it enjoys genuine support among many citizens proud of Cuba’s independence and social gains.
Cuba’s political stance remains defined by its complex relationship with the United States. For over six decades, Cuba has been under an American trade embargo and travel ban (since 1962) – “the most punitive blockade the world has ever seen” in Cuban and some international eyes. US policymakers cite human-rights and democracy conditions; Cuba’s supporters decry the embargo as an attempt to starve out socialism. Regardless, the effect on Cuba’s politics and economy has been immense. Across Latin America and beyond, Cuba is known as a defiant one-party state that stands apart, honoring its revolutionary legacy even at the cost of isolation. Yet in recent years the picture has slightly shifted: in 2015 President Obama eased some travel curbs (then Trump tightened them again), and Cuba slowly opened to foreign investment. Still, every Cuban politician must navigate the ongoing shadows of Cold War geopolitics: from nuclear near-war to modern trade wars, “Diaz-Canel serves as president and first secretary of the Communist Party,” a first for a non-Castro, but he still governs under the one-party system his mentor put in place.
Cuba’s social fabric reflects both the ideals of its revolution and the practical struggles of life under sanctions. On one hand, the revolution delivered remarkable public goods: literacy and health rates rival those of much richer countries. UNESCO data show that Cuba’s youth literacy is effectively 100%, and a Pan-American health report notes life expectancy at birth of about 78.3 years (2024) – figures comparable to Western Europe. Indeed, before 1959 Cuba’s literacy was already high for the region (around 80%), and the revolution simply fortified that achievement. Today, doctor visits and university education remain free of charge for citizens. Every neighborhood has a clinic; cityscapes include many schools and libraries. The United Nations and WHO often cite Cuba as an exemplar of health outcomes (infant mortality is among the lowest in the hemisphere, one study notes).
Yet everyday life is shaped by scarcity. A ration card system (la libreta) still supplies each Cuban with monthly basics – rice, beans, sugar, oil and such – at heavily subsidized prices. The libreta basket barely scratches by: for a month’s allotment a Cuban pays only about $1–2 (around 12% of market cost) – an aid, but one that covers only minimal nutrition. Fuel, meat, toilet paper, toothpaste, car tires and other goods are short; when oil deliveries from Venezuela dwindled in the 2010s, Castro stepped off the podium to ride a bicycle to work, and Cubans learned to do without air conditioning or even regular electricity at times. Today, long lines for scarce goods are routine: as one recent account notes, “Cubans rising at 4am to get in line” for staples during periods of acute shortage. The state’s universal welfare means most Cubans do not pay for rent, education or healthcare, but it also keeps wages extremely low. Under socialism, the average monthly salary runs between $30–$50 (USD) – so low that some Cubans work multiple jobs or rely on remittances from abroad. Wealth and modernity peek through only cautiously: a new European car in Cuba can cost tens of thousands of dollars (well beyond most Cuban lifetimes), and many consumer goods are only sold in stores accepting dollars (or its prior equivalent, the CUC).
Thus everyday Cuban life is a jigsaw of paradoxes. On one street corner an elegantly uniformed doctor (salaried by the state) may pause to play dominoes on cobblestones; around the next block, television antennas crowd old rooftops but modems and 4G phones (now used by over 70% of the population) are spreading. One of Cuba’s grand axioms is “Yo no tengo lo que tu tienes, pero si lo que tu no tienes” (I don’t have what you have, but I do have what you don’t) – a saying that winks at creative resourcefulness amid material paucity. Tourists in Havana might marvel at vintage Fords and Buicks painted candy-bright, yet fail to see that for Cubans those gleaming relics are run on parts salvaged from Russian Ladas or homemade nickel-chrome mixes. Indeed, ingenuity is woven into daily survival: mechanics patch engines with scrap metal, black-market entrepreneurs sell wood-fired pizza, and even a taxi often turns out to be a horse-drawn cart filled with boxers. “Cuban ingenuity has kept these old American cars on the road,” notes one travel writer, as grease-stained mechanics weld and fabricate in the street. In any Havana nightspot, meanwhile, one may find a world-class jazz quartet jamming against a backdrop of ration-book stores – a reminder that Cuba’s cultural life runs rich and deep even when supermarket shelves run bare.
Cuba’s cultural heritage is a mosaic of Spanish, African, and indigenous threads. The largest foreign influence came from the slave trade: from the 16th through 19th centuries, hundreds of thousands of Africans (primarily Yoruba, Congo, and Dahomey peoples) were brought to work sugarcane and tobacco plantations. Their spiritual traditions mingled with imposed Roman Catholicism, giving rise to syncretic religions that thrive to this day. Chief among these is Santería (often called Regla de Ocha). Santería fuses Yoruba orishas (deities) with Catholic saints (for example, Saint Barbara is venerated as the orisha Chango). Though taboo under Spanish rule, Santería long persisted in secret and today is openly practiced by millions. A U.S. policy report estimates that roughly 70% of Cubans participate in Santería or related African‐derived rituals in some form. Shrines and altars abound in homes, neighborhoods hold toques (drumming ceremonies), and elders conduct divinations with cowrie shells. Even many nominally Catholic Cubans will wear a “guardian angel” amulet that actually represents a babalawo or iyalocha (Santería priest/priestess).
Santería’s influence permeates Cuban music, dance and festivals. UNESCO notes that rumba – itself recognized as intangible heritage – is a Congolese‐derived drum/dance tradition that expresses community bonds and resistance. On Havana street corners late at night, small rumbas break out: drummers squatting by wooden barrels, women swiveling hips in clave rhythm, singers ululating praise for Oya or Yemayá. The UNESCO nomination bluntly observes that “rumba in Cuba is associated with African culture” and is “an expression of resistance and self-esteem, evoking grace, sensuality and joy”. Cigar factory camaraderie, Santería divination, cocktail-sipping at a smoking-friendly bar – all coexist with old revolutionary lore. Another Afro-Cuban religion, Palo Monte (rooted in Congolese ndoki sorcery), adds secretive spirit worship and herbal magic to the mix.
At a Sunday street festival in Santiago de Cuba or Matanzas, one can observe Catholic processions alongside street altars to Yemayá (a sea‐orisha figure), Candomblé dancers in African print, and perhaps an apparition of San Lázaro (the patron of the sick, revered as Babalu-Ayé). The result is a spiritual vibrancy rarely seen elsewhere. Even the Cuban state, originally atheist and anti-religion, now officially acknowledges this cultural reality: Santería candles are sold in pharmacies, musicians are tutored with tambores, and the Council of State hosts gatherings for annual Día de la Cultura Cubana. Thus Cuba’s religion is a living microcosm of its history – a Catholic cathedral might stand next to a small temple to Changó, its choirs might share rhythm with a rumba drum, and both exist because Cuba’s past was unlike any other’s.
Geographically and ecologically, Cuba is unique in the Caribbean. The island spans about 110,860 km² (roughly 42,800 sq mi), making it the largest island in the region. Its shape is long and serrated, with three main mountain chains (eastern Sierra Maestra, central Escambray, western Guaniguanico) cutting across flat savannas and coastal plains. The climate ranges from tropical rainforest to dry scrub, enabling astonishing biodiversity. One biodiversity study counts 19,631 known plant and animal species in Cuba, of which a remarkable 42.7% are endemic – found nowhere else on Earth. By area and variety, scientists say Cuba’s vegetation and fauna are more diverse than those of many entire nations in Asia or Africa.
Across six UNESCO Biosphere Reserves, Cuba’s ecological riches are preserved. In the east, the Cuchillas del Toa – Alejandro de Humboldt Biosphere (Guantánamo province) is a UNESCO site and hotspot: mountain rainforests there harbor over 900 endemic plant species. It is home to the Cuban solenodon (Solenodon cubanus), a rare venomous insectivore nicknamed “almiquí”, and the elusive Cuban kite (a raptor). Far west, the Guanahacabibes Peninsula Biosphere juts like a thumb of mangroves and palms. Here biologists have discovered the famous zunzuncito or bee hummingbird – the world’s smallest bird – as well as iguanas, flamingos, and dense ceiba forests. And dominating the south coast is the Ciénaga de Zapata Biosphere, a vast 450 km² brackish swamp (the largest wetland in the Antilles). Zapata’s mosquito-haunted marshes support over a thousand plant species (130 endemic) and dozens of reptiles and birds found nowhere else. Here lurks the Cuban crocodile (Crocodylus rhombifer), endemic and critically endangered, adapted to swamp life with unusually long legs for roaming out of water. Two tiny flightless rails – the Zapata rail and the Zapata wren – exist only on these islets and reeds, making Cuba as geographically isolated as an island can be.
Beyond these reserves, national parks like Viñales Valley (with its karst mogotes and tobacco farms) and Alto de Cotilla (Pico Turquino) preserve other treasures. Even coral reefs fringing Cuba’s northern coasts hold sharks and gorgonians more typical of the Sea of Cortez or Florida Keys. Such diversity partly explains the proliferation of protected areas; in fact, Cuba “supports 19,631 known plant and animal species, of which 42.7% are endemic” – far above the global island average. Conservation in Cuba intertwines with tourism: nature lodges, cave tours, and birdwatching draw visitors, yet also fund parks. In short, when a European traveler praises Cuba’s beaches or forests, locals often quip that “the island gives more natural heritage than your entire continent”. The line is only half in jest; Cuba’s ecosystems truly are singular, a microcosm of evolutionary history crammed into one Caribbean nation.
Architecturally, Cuba is a collage of eras and styles – sometimes on the same block. The legacy of Spanish colonial rule is most visible in Havana’s Old Town (Habana Vieja), a UNESCO World Heritage site. Founded in 1519, Old Havana was a shipbuilding hub by the 1600s, and its historic center still “retains an interesting mix of Baroque and neoclassical monuments”. The Cathedral of Havana (Baroque), the Plaza de Armas (arcaded mansions), and the Castillo de la Real Fuerza (red stone fortress) conjure a European sensibility with Caribbean air. In the Plaza Vieja one finds portals and colonnades drenched in pastel ochres and salmon pinks, their cast-iron balconies festooned with flowers and faded Cuban flags. A 2015 UNESCO evaluation notes that although modern Havana now houses two million people, “its old centre retains… a homogeneous ensemble of private houses with arcades, balconies, wrought-iron gates and internal courtyards” – a walking museum of 18th-19th-century urban life.
Further afield stand Cuba’s other colonial gems. Cienfuegos, founded in 1819 by French settlers on a natural bay, showcases a Neoclassical grid of clean streets. UNESCO writes that Cienfuegos is “an outstanding example of an architectural ensemble representing the new ideas of modernity, hygiene and order in urban planning” from the 19th century. Wide boulevards lead to the ornate Government Palace and a domed cathedral; wrought-iron cafés line the serene waterfront (Paseo del Prado) under the inscrutable gaze of a José Martí statue. Trinidad, on Cuba’s southern coast, is perhaps the most evocative time capsule. Founded in the 1500s, it boomed on 18th-19th-century sugar plantations. Today Trinidad’s cobblestone core is a living museum of colonial Cuba: tiled courtyards, tiled roofs, and plazas framed by pastel Baroque and Moorish-influenced houses. UNESCO notes that Trinidad’s edifices “blend Andalusian and Moorish influences… with European neoclassical forms”, especially around Plaza Mayor, where the 1813 Palacio Cantero stands opposite the rustic Palacio Brunet. In Trinidad the air still seems sweet with cane smoke – it is as if the slaves and merchants of the 1830s have returned for a century-long fiesta.
Another UNESCO site, Camagüey, offers a different surprise: an irregular, almost maze-like plan. One of Cuba’s oldest towns (settled 1528), Camagüey was built inland to escape pirate raids and developed medieval-style winding streets and plazas. The historic 54-hectare center is “an exceptional example of a traditional urban settlement” with serpentine alleys, hidden courtyards and a patchwork of neoclassical, Art Deco, Neo-colonial, and even Art Nouveau facades. This snarl of lanes protected treasures from colonial conflicts; today it charms tourists who lose themselves finding the next church or plaza.
Cuba also has well-preserved (if often decaying) modernist architecture of its 20th century. The pre-revolutionary development of Havana’s Vedado district produced some Latin American classics: in the late 1940s-50s, young local architects embraced the International Style alongside Latin American flair. Buildings like the radiocentro city hall or the bloc-like Edificio del Seguro Médico in Havana were part of a Brazilian‐and-Mexican-tinged modernism. The most famous is perhaps the Habana Hilton hotel (1958), which Cuban state media note hosted Fidel’s Revolution Council after January 1959. Remarkably, many such modern buildings remain “relatively unchanged since their initial construction,” observes architectural historians. Decades of embargo and economic hardship meant there was simply no foreign capital to demolish or remake them. An article in Harvard’s ReVista notes: “the economic forces of real estate development… have been denied access to Havana”, an “ironically fortuitous” preservation policy. Thus La Rampa (the glitzy former casino strip of Vedado) still sports mid-century neon signs and a grid of modernist hotels and cinemas – ripe now for historians to champion as worthy of heritage.
In short, Cuban cityscapes mix epochs. A colonial plaza, a decayed artillery redoubt, a Soviet‐built apartment block and a pastel neo-gothic church can all stand shoulder to shoulder. On the same street where a red Buick rattles, one may glimpse a skeletal Stalinist statue of Che Guevara in the distance. Even Havana’s newest buildings – like the glossy Casa de la Cultura or tiny Embassy hotels – often imitate pre-1959 styles, acknowledging nostalgia. This architectural collage is unmistakably Cuban: it tells the story of a nation that absorbed Spanish Empire, French ambition, American influence, communist ideology, and its own island ingenuity, all physically imprinted in brick and concrete.
Cuba’s uniqueness is best felt in its daily rhythms and contradictions. Consider transportation: nearly everywhere, Havanans encounter an eye-catching parade of vehicles that exists “only in Cuba.” Yes, there are gleaming classic Cadillacs and Buicks from the 1950s, maintained with astonishing craftsmanship. (One observer notes “there are around 60,000 classic American cars in Cuba,” many kept running by replacing parts with Russian or Chinese bits.) The tourism market supports that: these vintage cars double as taxis for sunburnt holidaymakers. Yet in the very same lane a modest three-wheeled bicycle taxi (bicitaxi) may trundle by, one gear and one passenger, its driver pedaling like his life depended on it. Elsewhere in Havana one can rent a modern electric scooter, or navigate on foot because sidewalks are crowded with people speaking on smartphones (according to 2023 data, over 7.9 million Cubans – roughly 71% of the population – now use the internet). In one city block the socialist reality sings and the capitalist trap clangs: for instance, at a government-run clinic under a towering Bust of Martí, a sign upstairs reads “No Smoking” in Cyrillic (a Sputnik-era holdover), while down the street a private bar advertises Cuba Libre cocktails.
The economics are striking: tourism dollars abound for visitors, but supply lags for locals. Tourists in Havana’s cigar shops can pay in euros and receive their tropical souvenirs a la carte; just blocks away, Cubans must join government lines to buy their monthly 10 kg of rice (the same year’s crew of foreign intourists consumes 100× that in a week). Cuba once had two currencies – the old peso (CUP) for locals and the “convertible peso” (CUC) for tourists and imported goods – reflecting how one economy bowed to dollars while the other struggled on rations. Though the CUC was phased out in 2021, vestiges remain: high-end stores still charge the equivalent of 1000 pesos for shirts, and many pharmacies accept only hard currency. A telling statistic from before unification was that a new Chevrolet might cost $70,000 USD while the median Cuban earned about $20 per month. Almost nothing official costs that little now, and inflation makes queuing even longer – much like what an LSE blogger noted in 2020, describing Cubans rising before dawn to stand hours in bread lines, their fortunes entangled with foreign exchange and oil tanker schedules.
Meanwhile, urban change and decay happen side by side. Revitalized plazas in Old Havana sparkle with fresh paint and live timba music each evening, as tourists sip mojitos under restored colonnades. Just beyond those areas, one-floor colonial houses crumble, decrepit roofless buildings collapsing onto electric lines. Across town, the steps of Revolution Square host mass parades with marching bands and uniformed schoolchildren, the scene unchanged since the 1960s. But a block away, the university labs are getting new Chinese microscopes and an underground artist space sketches avant-garde street-art murals. It is said that “in Cuba, plenty and poverty coexist on the same street.” For every emblazoned Cuban flag or new skyline tourism project, the average person still encounters supply cuts and flickering power.
Cuba’s daily life features official austerity and informal abundance. The state subsidizes health and education (no bill for dental visits, state scholarships for thousands of students), but the market supplies almost everything else. On a bright corner you might find a privately run paladar (restaurant) blasting Buena Vista Social Club tunes and serving lobster to foreigners, while locals haggle in Spanish for a half-litre of cooking oil hidden in a rum bottle. Craftiness thrives: an elderly man selling grilled chicken uses vinegar for sauce and a splintered crate for a table. Pharmacy shelves are nearly empty, yet artists queue overnight to submit hand-painted posters to the weekly “poster factory” run by the Communist Party (and get paid a token stipend). The internet is allowed but censored; a promising Cuban lyricist can upload music on a portable hard drive called “el paquete” to sidestep the state network. In short, living in Cuba is like juggling two worlds: one of chronic shortage and one of boundless culture. The need to improvise fosters both hardship and a sense of collective solidarity – and also a general embrace of irony and humor that is uniquely Cuban.
Ironically, life under these constraints has fueled some of Cuba’s greatest strengths. Nationwide literacy (along with supportive arts programs) helped launch Cuba’s international literary stars like Leonardo Padura and Alejo Carpentier. Community music schools churn out symphony players; dancers rise through ballet schools. Because street life is the theater of the everyday, Cuba’s musical output is legendary. The Afro-Cuban trumpet riff in jazz and salsa, the fervent choruses of sones, the repurposed melodies of santería chants – all grew from neighborhoods and barrios into major cultural movements. In architecture too, the revolutionary need gave birth to unique styles. Consider communist memorial architecture: Eusebio Leal, Havana’s former City Historian, designed giant abstract murals on Ministry buildings, and the pyramid-topped monument at Santa Clara. Even ruins are cultural sites: the rusting spherical radar installations of Playa Girón (Bay of Pigs) are now a counter-revolutionary museum. The island’s isolation has also given space for experimentation – for example, literacy campaigns mobilized art for propaganda (villagers painting wall murals instructing reading) in a way seldom seen elsewhere.
Cuban society prizes artistry as much as survival. Street artists draw vibrant graffiti murals of Che and Celia Cruz; breakdancers battle in alleys; poets recite in La Habana Vieja plazas. The globalization of Cuban culture is ironic: while the island’s embassies shudder under U.S. restrictions, its citizens are many of the world’s most traveled scientists and performers (think of the Cuban doctors assisting in global pandemics, the ballet dancers joining international troupes, or athletes like Alberto Juantorena and Mijaín López winning Olympic gold). All have Latin American roots yet speak with a Spanish tinged by Caribbean patois – a linguistic creativity that mirrors social fusion.
Daily paradoxes extend to mores and freedoms. Homosexuality was once stigmatized by the regime, but in recent decades Cuba declared itself gay-friendly (despite occasional backsliding). In Havana a chic drag show might fill the same nightclub whose owner once wore military camo to parties in the 1970s. The revolutionary ideal of igualdad (equality) remains a public virtue – everyone gets a free education – even while private remittances silently create a new middle class. Such contradictions animate heated debates in Cuba today: reformers argue for more market latitude and private ownership, old-guard hardliners warn of imperialist threats. But through it all, Cubans manage with a sort of pragmatic poetry. It is not uncommon to hear, after a comical episode of ration lines or power outages, a shrug and the phrase “Así es la vida” (such is life) followed by a smile or a laugh. That blend of resilience and artistry, perseverance and humor, seems woven into Cuban DNA.
As Cuba navigates the 21st century, it does so on its own eccentric map. The acute scarcity of yesterday is now challenged by modest openness: private business licenses are slowly expanding, internet cafes have spread, and even cryptocurrency farmers now till virtual fields in Havana. Yet any infusion of normalcy remains edged by the island’s special circumstances – from its planned economy to the half-century embargo, from its single-party rule to its revolutionary mythology. When a foreign observer asks “What is special about Cuba?” there is no simple answer, because practically everything is special here. One might point to Havana’s vintage autos, but those are as much a necessity of embargo as a curiosity. One might mention “patient, friendly people,” but also witness frustration in young eyes desperate to leave. One might note “free health and arts,” but also see lines at bakeries. In Cuba, abundance and paucity, openness and isolation, past and present are squeezed together into every street, every revolution museum, every Negro spiritual on the radio.
Yet despite all these contradictions, Cuba’s spirit is coherent. Whether in vibrant cultural neighborhoods or in the classrooms of the Barrio Pesquero, Cubans articulate a proud national narrative – one of resistance against bigger powers, of cultural fusion, of defiant endurance. The country’s ecological, cultural and historical singularities are all sides of the same gem: an island that carried African spirits, European churches, Asia-mined nickel, and Soviet tanks into a tropical stew. The end of every American tour and NGO report often reads as a lament on how Cuba is stuck in the past; but the truth is subtler. Cuba’s “stuckness” is also its very aliveness: an unlost utopia on a Caribbean isle, at once backward and strangely futuristic. To know Cuba one must see its old cars and its new solar panels, its jingling ration card and its high-tech biotech labs (yes, Cuba developed a COVID-19 vaccine), its traditional rumba and its hip-hop that condemns poverty. No other place marries all these contradictions. Therein lies the truth of the phrase “Only in Cuba…”: it is a place that cannot fully be transferred, only deeply experienced.
In Cuba, history is not a distant heritage, but an ongoing conversation. Every battered colonial door opens to reveal stories of international intrigue, revolutionary zeal or creative improvisation. This nation has walked through fire more than once, yet still dances, still composes music, still debates ideology under the very palms that once hid guerrillas. Amid scarcity, Cubans sing, paint, and celebrate. Amid isolation, they share freely on the internet and classrooms. Amid everything that sets Cuba apart, there is a continuity: the Cuban people’s own identity and resilience.
When the Revolution turned sixty, a Cuban poet wrote that Havana is “a pocket of time where memory refuses to sleep.” Indeed, every stone wall, every flag-draped plaza, every rooftop vista over the Malecón speaks of an immense, contradictory journey. The country’s revolution, its syncretic spirituality, its forests and reefs, its ramshackle yet regal buildings – all of these converge to make Cuba sui generis. It is a journey still unfolding. One cannot fully predict how this island will change (US relations may thaw or freeze, the young and old will pressure the system to adapt, and climate change looms on the horizon). But whatever comes, these elements will endure: a revolutionary heart that set its own course, a culture of blending and survival, and an island ecology that nurtures the strange and beautiful. Only in Cuba does such a tapestry exist – a place where the world’s margins became the center of a very different story.
쿠바의 경제적 특징은 현대사를 반영하기도 합니다. 아주 최근까지 쿠바는 이중 통화 제도를 운영했습니다. 내국인은 쿠바 페소(CUP)를, 외국인은 쿠바 태환 페소(CUC)를 사용했는데, 이는 미국 달러와 약 1:1의 비율로 고정되어 있었습니다. 관광객은 호텔과 상점에서 CUC로 결제했고, 쿠바 국민은 CUP로 돈을 벌었습니다(CUC당 약 24 CUP). 이러한 불편한 제도는 일종의 "아파르트헤이트"로, 1990년대에 등장하여 외화를 유치하는 동시에 노동자들을 인플레이션으로부터 보호하기 위한 것이었습니다. 메뉴판과 ATM 기기의 환율이 각각 다르고, 일반 쿠바 국민들은 이를 두고 신경질적인 줄타기를 해야 했습니다.
2021년 1월, 쿠바는 "데이 제로(Day Zero)" 통화 통합을 시작했습니다. CUC는 폐지되고 모든 계좌는 CUP로 전환되었습니다. 오늘날 쿠바는 단일 통화(CUP)와 자유 변동 환율제를 시행하고 있습니다. 실질적으로 관광객들은 이제 카드(쿠바에서는 비자/마스터카드 사용 가능)를 사용하거나 현금(미국 달러 또는 유로화)을 소지하고 CUP로 환전합니다. 하지만 현지 물가는 여전히 낮습니다. 길거리 간식은 1달러 정도지만, 쿠바 공무원의 평균 월급은 약 20달러에 불과합니다.
경제의 기이한 현상은 여전히 지속됩니다. 소비자 브랜드는 거의 없고, 국영 "달러" 매장에서는 수입품을 판매하며, 에어비앤비 같은 새로운 사업은 여전히 드뭅니다. 해외 송금(가족 자금)은 많은 가정에서 큰 비중을 차지하며, 팔라다레스(paladares)와 카사 파르티쿨라레스(casa particulares, 게스트하우스)와 같은 민간 부문의 급성장은 시장 영역으로의 과감한 진출입니다. 어떤 면에서 쿠바 여행은 두 세계를 동시에 마주하는 것을 의미합니다. 쇠퇴한 집단 농장과 힙스터 커피숍입니다.
쿠바 요리는 푸짐하고 소박합니다. 주식은 쌀, 검은콩(프리홀레스 네그로스), 튀긴 플랜틴(토스톤과 스위트 마두로스), 구운 돼지고기(레촌), 그리고 모호스라고 불리는 생기 넘치는 감귤 소스입니다. 이러한 재료들이 어우러져 아로스 콘 폴로(닭고기와 밥), 로파 비에하(토마토 소스에 볶은 소고기), 유카 콘 모호(마늘과 감귤 오일을 뿌린 카사바 뿌리)와 같은 인기 있는 요리를 만들어냅니다. 노점상들은 바삭한 파스텔리토(고기나 구아바를 채운 페이스트리)와 망고, 파파야, 구아나바나로 만든 걸쭉한 열대 스무디("바티도스")를 판매합니다. 유제품과 계란은 매대에서 사라지기도 하지만, 쿠바 요리사들은 일정 범위 내에서 대체재를 사용하고 있으며, 열대 과일은 일 년 내내 풍부합니다.
팔라다르는 특별한 기관입니다. 이들은 1990년대 정부가 제한적인 자영업을 합법화했던 특별 시기에 탄생한, 각자의 집에서 가족들이 운영하는 작은 개인 식당입니다. 팔라다르는 등나무로 장식된 거실에 겨우 여덟 명만 앉을 수 있지만, 서비스와 맛은 훌륭합니다. 팔라다르는 주 배급 체계 밖에서 운영되기 때문에, 주인들은 종종 비공식적인 시장(때로는 브라질이나 지역 암시장을 통해)에서 재료를 조달하고 매일 밤 메뉴를 바꿉니다. 그 결과, 짜릿한 예측 불가능성이 펼쳐집니다. 어떤 날은 마늘 소스를 곁들인 신선한 그루퍼를, 어떤 날은 시장에서 가져온 바닷가재를 맛볼 수 있을지도 모릅니다. 또 어떤 날은 소박한 돼지갈비와 유카를 맛볼 수도 있습니다.
공식적인 광고 없이도 팔라다레스는 입소문으로 번창합니다. 젊은 쿠바 셰프들은 이제 베다도와 올드 아바나 같은 곳에서 타파스 스타일의 쿠바 퓨전 요리, 수제 칵테일(물론 하바나 클럽 럼), 그리고 안뜰 정원에서 농장 직송 요리를 선보이며 한계를 뛰어넘고 있습니다.
쿠바인들은 1990년대에 도입된 국영 패스트푸드 체인점 엘 라피도(El Rápido, "빠른 사람")처럼 특이한 곳들과도 싸워야 합니다. 아이러니하게도 이 곳은 느린 서비스와 인색한 양으로 유명했습니다. "여기서는 엔진이 돌아가지만, 차는 절대 돌아가지 않아(Aquí funciona el motor, lo que nunca el carro)"라는 한 줄짜리 문구는 이 곳의 이름을 비꼬는 농담이었습니다. 오늘날에도 몇몇 엘 라피도는 버거와 감자튀김을 판매하지만, 대부분의 지역 주민들은 집에서 직접 요리하거나 팔라다르(paladar)를 이용합니다.
메뉴와 벽면에 광고가 거의 없습니다. 점심 식사를 위해 소박한 카페테리아에 가도 화려한 포스터는 보이지 않습니다. 벽에는 수프, 밥과 콩, 닭고기, 모로가 적힌 메뉴판만 분필로 붙어 있을 뿐, 맥도날드 광고판이나 코카콜라 광고는 보이지 않습니다. 심지어 드라마 속 TV 프로그램조차 광고로 전환되지 않습니다. 이러한 마케팅 부재는 많은 방문객들에게 놀라움을 안겨줍니다. 쿠바는 정말 광고 없는 세상처럼 느껴집니다.
쿠바를 거닐다 보면 겹겹이 쌓인 질감을 발견하게 됩니다. 카리브해의 햇살 아래 갈라지는 스페인 식민지 시대 타일, 해질녘 사탕수수 럼을 섞는 노인, 신성한 북소리와 가톨릭 의식이 어우러진 인근 산테리아 의식, 그리고 길가에 멈춰 선 1950년대의 푸른 플리머스 자동차까지. 각각의 경험은 역사의 무게감을 담고 있습니다. 호세 마르티의 크리올 자부심부터 배급 책자와 혁명 광장 집회에 남은 사회주의 시대의 흔적까지. 쿠바의 모순, 즉 제약 속의 자유, 빛바랜 벽 속의 색채는 쿠바를 끝없이 매혹적으로 만듭니다.
오늘날의 쿠바는 1950년대 엽서 속의 순수하고 신화적인 신화도, 시대에 뒤떨어진 1980년대의 고정관념도 아닌, 끊임없이 변화하는 태피스트리입니다. 기업가들은 루프탑 바에서 고급 모히토를 제공하고, 정전은 과거의 빈곤을 떠올리게 합니다. 아바나의 끊김 없는 4G 네트워크는 가장 가까운 인터넷이 햄 라디오인 마을과 공존합니다. 그러나 쿠바 사람들은 그 어떤 어려움 속에서도 우아함을 잃지 않습니다. 줄을 서서 기다린 후의 미소, 도움을 주려는 손길, 그리고 깊은 울림으로 전해지는 아디오스.
여행자에게 쿠바는 감각과 영혼의 나라입니다. 긴 기차 여행에서 빈티지 비닐 단손의 바삭거리는 소리를 느끼고, 일요일에 레촌을 굽는 냄새를 맡고, 어스름 광장에서 네온 불빛으로 빛나는 체 게바라의 성상을 바라보는 것도 여행의 묘미입니다. 쿠바에서는 모든 길모퉁이가 역사의 한 조각이며, 모든 사람이 그 시대의 이야기꾼을 만났다는 것을 아는 것도 여행의 묘미입니다. 결국 쿠바는 맛, 소리, 색깔, 심지어 고요함까지 섬세하게 짚어내는 섬세함에 주목해야 합니다. 복고풍 외관과 강렬한 리듬 뒤에는 이러한 깊이와 복합성이 숨어 있으며, 귀국 후에도 오랫동안 기억에 남는 여정을 선사합니다.
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