Das LOFT occupies the 18th floor of SO/ Vienna at Praterstraße 1, rising above the Danube Canal edge of Leopoldstadt with 360-degree views across the city. The restaurant and bar are public venues inside the hotel rather than facilities reserved for overnight guests. The building itself is an important part of contemporary Vienna: SO/ Vienna was designed by French architect Jean Nouvel, while Swiss artist Pipilotti Rist created the illuminated ceiling artwork that gives Das LOFT much of its visual identity. From the room, visitors can read the city from above—St. Stephen’s Cathedral, the Ringstrasse edge, the Danube Canal and the roofs of the first and second districts—while a brightly coloured art installation glows overhead. This combination is what separates Das LOFT from an ordinary rooftop bar. The experience works in two directions at once: outward toward Vienna and inward toward architecture, light and design.
The venue has just entered a new operating phase. Das LOFT’s own site announced a closure through 2 September 2026 and reopened from 3 September with the message that a “new era” was beginning. By 7 September, the doors are open again and the current SO/ Vienna and Das LOFT sites are accepting reservations. This recent reopening is important because older August information can still look current in search results and may state that the venue is closed. Travellers visiting now should use post-3-September pages, not archived summer closure notices. The current main experience still includes breakfast, dinner and bar service, while Sunday brunch is separately advertised and can pause seasonally.
Opening hours need to be interpreted by service. Das LOFT Bar currently runs Sunday through Thursday from 16:00 to 01:00 and Friday-Saturday from 16:00 to 02:00 according to SO/ Vienna’s current English and German pages. Dinner is Monday through Saturday from 18:00 to 22:00 and Sunday from 19:00 to 22:00. Breakfast runs Monday-Friday 06:30–10:30 and weekends/public holidays 07:00–11:30. Das LOFT’s own contact page largely agrees, although one German subpage still says Sunday general opening begins at 18:00 rather than 16:00. The seven-day table represents the main public bar window, while meal times remain separate practical fields.
Reservations are more structured than at a casual rooftop. Restaurant bookings are available online and the current Das LOFT site states that a credit-card guarantee is required; failure to cancel at least 24 hours in advance can trigger a €25-per-person charge. The same charge can apply when guests hold a restaurant reservation but decide to use only the bar rather than the reserved dining table. This is an unusually important visitor rule because many travellers book “for the view” without deciding whether they actually want dinner. Bar guests can usually arrive without a restaurant reservation and wait for space, while large groups are routed to a dedicated booking team.
Accessibility and arrival are strong. The venue is reached by elevator, and Das LOFT’s FAQ explicitly calls the space accessible and asks guests with specific needs to notify the team before visiting. Accor also marks the restaurant and hotel wheelchair accessible. Drivers can use the Design Tower underground garage, go to level P3 and take the lift to the 18th floor; valet parking is available. Public transport is even easier because Schwedenplatz U1/U4 sits just across the canal and multiple tram routes serve the area. The venue’s approximate coordinates are 48.21272, 16.37979. Most visitors should allow two hours for dinner or a relaxed drinks session. The view is immediate, but the better experience takes time: daylight, sunset and night each reveal a different city, while Rist’s ceiling becomes more dominant as the sky darkens.
The September reopening also makes this an unusually time-sensitive record: travellers using screenshots or saved August guides can still encounter “closed” notices even though the venue is already operating again. Current booking availability is therefore more important than cached summaries.
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