Parish Church Of Mülln

The Roman Catholic parish church of Mülln, Unserer meiner Frau Mariae Himmelfahrt, commonly known as Augustinerkirche or Müllner Kirche, is located in the historic neighborhood of Mülln in the city of Salzburg. The church is a listed structure and part of Salzburg’s UNESCO World Heritage Historic Center.

In 1148, the first chapel in Mülln was mentioned.Archbishop Gebhard had the Marien chapel’s crumbling altar restored at the time.However, there may have been a modest church much earlier in this old city suburb.Mülln, a very old suburb of Salzburg, was quickly militarily fortified as the city’s pre-fortification and furnished with walls and powerful defense towers.The church was also featured, which was most likely located on the Müllner Hauptstraße at the time.This period’s Romanesque crucifix has been preserved.

In 1439, Archbishop Johann II von Reisberg began construction of a new church in the style of a Gothic hall church for a church community that had developed greatly, the main material of which has been retained to this day.Ulrich Dankl and Heinrich Murauer were the church’s main constructors.When Archbishop Burkhard von Weißpriach withdrew Mülln and Maxglan from the cathedral parish and raised them to distinct parishes sometime after 1460, this church became a parish church.The archbishop delegated pastoral care to a collegiate foundation he established.Due to a lack of financial means, the church gradually deteriorated in the years that followed.After 1525, this financially depleted monastery was home to just one or two priests.In 1605, Archbishop Wolf Dietrich von Raitenauthen restored the church and gave it over to the Augustinian hermits as the new monastery church.The church was constructed under the reign of Max Gandolf von Kuenburg.at 1833, the church at Michaelbeuern was turned over to the Benedictines.It has been the incorporated parish of the Benedictine Abbey of Michaelbeuern since 1835.This parish included the current parish districts of Lehen, Taxham, Leopoldskron-Moos, St. Vital, and St. Paul.

In 1735-38, the four-bay hall was designed in a baroque style.Above the retracted Baroque ceiling, the Gothic ribbed vaults have been maintained.There are fields with the monograms of Christ, Mary, and John, as well as a dove of the Holy Spirit, at the vault’s apex.The four church fathers and the Annunciation of Mary are represented by the lateral medallions. Johann Georg Hitzl designed the pulpit in 1739, and it is richly carved.Vinzenz Fischer created the four canvas paintings over the doors to the four chapels.They depict Mary’s marriage, the Annunciation, the Visitation, and the Assumption.

The holy water fountain was built in the 16th century.Two Augustinian saints are shown in the painting on the sacristy door.The wall stucco in the sacristy with a relief of St. Bernard was created in 1709 by the well-known plasterer Diego Francesco Carlone.

The late-Gothic (but perhaps much earlier) church tower’s core currently contains three- and four-part Romanized acoustic arcades.The tower’s east and west sides are ornamented with the splendid coat of arms of Max Gandolf von Kuenburg, who renovated it in 1674 and installed a baroque double lantern.

Vinzenz Fischer, a Viennese painter, designed today’s baroque high altar in 1758-1760.The altar statues were created by Lorenz Wieser.The upper end of the altar is flanked by two double columns and has a portrayal of the Holy Trinity and allegorical images of Fides (faith) and Spe (hope) capped by the figure of St. Augustine.The Gothic miraculous figure of the Madonna stands in the center of the baroque altar, surrounded by baroque putti.The saints represented by the statues on the side are Alexius, Catherine, Barbara, and William of Maleval.

Since 1453, the late Gothic miraculous figure of Our Lady of Mülln has been on the high altar of the Müllner church.It was most likely constructed by Jakob Kaschauer.(A clear clarification of authorship might be made possible by restoring the original state of the Madonna faithful to the original).From the late Middle Ages until the early 16th century, this lovely Madonna with the baby Jesus was the center of a pilgrimage.She once stood in the center of the carved Gothic altar, surrounded by Saints Barbara and Catherine.The monument has been kept to this day due of its cultural significance.The late Gothic statue was modified during its relocation from the prior carved Gothic winged altar to today’s baroque pomp altar: the once simply colored version of the pleated robe was completely gilded, and Mary and Jesus Child acquired strong gold crowns.The figure was likewise draped in a thick ceremonial gown until the nineteenth century.