On B\u00fcy\u00fckada \u2013 the largest of Istanbul\u2019s Princes\u2019 Islands \u2013 the Church of St. George (Aya Yorgi) crowns a 204-meter-high hill known as Y\u00fcce Tepe. Far more than just an old chapel, it is a living pilgrimage shrine that draws believers of various faiths. Every spring and autumn, thousands trek here on St. George\u2019s Day (April 23) and the Feast of St. Thekla (September 24). Legend and faith combine: the church is one of only two Christian pilgrimage sites officially recognized in modern Turkey (the other is the House of the Virgin Mary in Ephesus). The atmosphere is one of quiet devotion, where pilgrims \u2013 some Christian, many Muslim \u2013 whisper prayers and tie ribbons as they ascend the steep path. Despite its humble size, Aya Yorgi has become a symbol of hopes and miracles; locals credit countless personal wishes granted after a pilgrimage here.<\/p>\n
Perched above the Marmara Sea and dotted islands, the church\u2019s hilltop vantage is the first gift to any visitor. From the summit one sees a sweep of blue waters and cypress groves under the sky. On a clear day the Princes\u2019 Islands \u2013 Burgaz, Heybeli, K\u0131nal\u0131 \u2013 and even Istanbul\u2019s skyline in the distance form a panoramic vista. Many travelers pause in silence, absorbing the calm and cool breeze. Picnic tables surround a tea-house terrace (the Y\u00fccetepe K\u0131r Gazinosu) where tea and snacks are served against this backdrop. The ascent\u2019s end and the view itself set the tone: a sense of peace that the hill itself seems to share with every pilgrim.<\/p>\n
Istanbul is home to two<\/strong> sites called \u201cSt. George\u201d or \u201cAya Yorgi,\u201d and it\u2019s important to know which one you want:<\/p>\n In the old city (Sultanahmet), the Ecumenical Patriarchate of Constantinople<\/strong> maintains its cathedral of St. George (Aya Yorgi Kilisesi). This is the headquarters of the worldwide Greek Orthodox Church and the official residence of the Ecumenical Patriarch. It is a grand Byzantine-era basilica located in the Fener (Phanar) district. Visitors here encounter stately architecture, historical relics of Eastern Christianity, and the Patriarch\u2019s offices. This church is not<\/em> on an island; it is in Istanbul\u2019s European mainland quarter. It is often bustling with formal ceremonies and processions tied to the Patriarchate\u2019s calendar.<\/p>\n By contrast, the Aya Yorgi on B\u00fcy\u00fckada<\/strong> is a modest hilltop monastery-church set amid pine forest, dedicated more to pilgrimage and local devotion. It belongs to the same Orthodox tradition but serves as a folk shrine where people of all backgrounds come to pray, especially on April 23 and September 24 each year. The B\u00fcy\u00fckada church is often called \u201cAya Yorgi of the Island\u201d to distinguish it. Its simple, sunlit stone walls and small bell tower stand in sharp contrast to the grand, urban Patriarchal cathedral. Here you will not find crowds of dignitaries or the Patriarch himself (who typically remains in the city), but rather barefoot worshippers, local monks, and the rich folk traditions that have grown around the site.<\/p>\n It is crucial<\/strong> to know which \u201cAya Yorgi\u201d you mean when planning a trip. A search for \u201cSt. George Church Istanbul\u201d without context often leads to the Patriarchate, which is a very different experience. If you intend to visit the island shrine, specify B\u00fcy\u00fckada or \u201cAya Yorgi B\u00fcy\u00fckada.\u201d This guide is entirely<\/em> about the monastery on B\u00fcy\u00fckada (Y\u00fcce Tepe), not the cathedral in Fener.<\/p>\n Saint George is one of Christianity\u2019s most famous saints. Traditionally a 3rd\u20134th-century Roman soldier from Cappadocia (modern-day Turkey), he was martyred for refusing to renounce his faith. Over time he became legendary as a dragon-slayer and miracle-worker. In Christian lore, George is a symbol of courage and divine protection. His iconography typically shows him on horseback spearing a dragon or serpent. He is venerated in both Eastern Orthodoxy and Western Christianity, as well as in parts of the Muslim world (his shrine at Lydda in Palestine is shared). At Aya Yorgi on B\u00fcy\u00fckada, the saint\u2019s intercessory power is believed to be particularly strong; many pilgrimage accounts speak of Saint George answering prayers, from healing the sick to granting personal wishes.<\/p>\n Local legend ties Aya Yorgi\u2019s location and foundation to Saint George\u2019s intervention. According to the story, in Byzantine times an invader or natural disaster threatened to destroy the church (often told as a Muslim occupation of the island). The monks, to save their icons and treasures, buried them on the hill. Years later, a shepherd named Yorgi (George) kept dreaming of a bell ringing on the island\u2019s highest peak. He climbed barefoot and silent to the spot, where he heard church bells. Digging there, he uncovered a cache of sacred icons, including an image of St. George. The story goes that this miraculous discovery happened on April 23 (the saint\u2019s feast day), which led to rebuilding a church on that very site. The day is now celebrated as the church\u2019s \u201cbirthday.\u201d This legend explains why the original icon is considered miraculous and why the pilgrimage is held on St. George\u2019s feast. In folk memory, then, St. George \u201csaved\u201d the church from oblivion by guiding the shepherd to the buried icon.<\/p>\n Over the centuries, Aya Yorgi has become a locus for reported miracles. Pilgrims come seeking cures for ailments, help with infertility, reconciliation in troubled marriages, success in exams, or simply general good fortune. Many devotees carry statues or icons to the church (to light candles), offer silver ex-votos, or hang prayer ribbons on trees. Newspapers and anthropologists have noted that attendees frequently say their previous wishes were answered. For example, local media interviewed a woman who had climbed the hill for five years in a row, declaring each year her wish was granted. Another common story is that if one climber\u2019s thread snaps, it signifies a broken prayer (it must then be tied anew). The church\u2019s main icon \u2013 a carved image of St. George slaying a dragon \u2013 is said to be especially powerful. Pilgrims often leave behind offerings at its feet, from medals and medals to notes and flowers. It is believed that the saint\u2019s blessing is strongest for those who undertake the ascent in humility: barefoot, voiceless, and fully committed.<\/p>\n The myths surrounding Aya Yorgi \u2013 the buried icons, the shepherd\u2019s dream, the vow of silence \u2013 give the site an almost mythic resonance. These legends persist today not only through tourist guides but in living tradition. Even non-Christians share in the ritual: Turkish Muslim women have long made pilgrimage to Aya Yorgi, asking for health or marital blessings. (In fact, an academic study notes that the vast majority of modern pilgrims here are Muslim women<\/strong>, making Aya Yorgi a symbol of interfaith trust.) On festival days the atmosphere can be both jubilant and profoundly reverent: one journalist describes tens of thousands trekking up from Istanbul each spring. Night prayers, candle-lit vigils, and the ever-present murmur of hopes being spoken all lend the hill a timeless feel. Whether or not one shares the religious belief, the scene of so many people unified in hope is a reminder of the enduring human search for meaning. In this way, Aya Yorgi\u2019s legends and miracles continue to renew faith in every generation.<\/p>\n By tradition, the origins of Aya Yorgi date back to the Byzantine Empire. An extant carved inscription (and local lore) claims the first church was founded in 963\u202fAD under Emperor Nikephoros II Phokas. Modern scholarship calls this a \u201clegendary foundation,\u201d but the timing is plausible: Nikephoros reconquered parts of the Aegean around that time. According to heritage accounts, a small monastic community \u2013 perhaps Greek-speaking Christians from Constantinople \u2013 established a chapel and cells on B\u00fcy\u00fckada\u2019s highest hill. This early shrine would have been a modest wooden or brick basilica with a simple icon of St. George. Unfortunately, no structural remains survive from this period, and written records are scant. Nevertheless, the image of an ancient Byzantine church hidden in the forest<\/strong> remains a romantic notion for historians and pilgrims alike.<\/p>\n The Byzantine church could not survive the upheavals of the 13th\u202fcentury. In 1204 Latin Crusaders sacked Constantinople and many Orthodox establishments were destroyed. Some sources say Aya Yorgi fell into ruin then; others suggest it was finally plundered by Latin fleets around 1302. In any case, by the late Middle Ages the monastery was abandoned. Legend says the monks buried their sacred icons to protect them from looters, which is why the later story of discovery by the shepherd is so pivotal. Archaeologically, there is little evidence of any building on the summit during Ottoman times. Records of the Ottoman era mention the island\u2019s churches in passing, but Aya Yorgi itself vanished from documents. Thus it remained a ruin \u2013 and memory \u2013 for centuries.<\/p>\n The modern history of Aya Yorgi begins in the 18th century. In 1751 the Greek Orthodox Patriarchate of Constantinople records the construction of a new chapel on Y\u00fcce Tepe. This \u201cold church\u201d was a small, two-story tile-roofed building \u2013 the surviving structure today known as the Eski Kilise<\/em> (Old Church). Its dedication was likely financed by island Greeks and sanctioned by the Ottoman authorities (who by this time generally permitted local communities to rebuild churches). For nearly 150 years this humble sanctuary was the only shrine on the hill. Locals and passing sailors would have come to pray here occasionally, but it wasn\u2019t a major pilgrimage site yet. In fact, contemporary travelers remark that for many years Aya Yorgi was relatively obscure \u2013 a hidden church in the pines.<\/p>\n By the mid-19th century, the B\u00fcy\u00fckada Greek community grew enough that this little old church became the focal point of a renewed devotion. Some accounts (though not fully confirmed) mention further repairs or extensions in the 1830s. Whether small or large, these 18th\u201319th-century efforts kept the tradition alive: villagers took stewardship of the site and told the legends about the buried icons to their children. This set the stage for the grander building that would come in a few decades.<\/p>\n The final and most visible phase of Aya Yorgi\u2019s construction took place in the early 20th century. Local sources and an archaeological inscription agree that the present stone church was built in 1906 (the foundation stone was laid by Patriarch Meletius IV). It was consecrated on September 10, 1908, and the adjacent bell tower was completed in 1909. This new structure is crafted of finely cut limestone: its whitewashed walls and dome are the \u201cnew church\u201d behind the old one. The old tile church from 1751 was kept as a kind of chapel. Thus the hilltop compound now had two levels of worship \u2013 the small Eski Kilise<\/em> and the larger basilica above. Architecturally, the 1900s church blended traditional Greek Orthodox forms (a cross-in-square plan with a dome and painted icons) with the simple elegance of local stonework. The new monastery buildings (living quarters, kitchen, cells) were also erected around this time, enclosing a courtyard shaded by pines.<\/p>\n The driving force behind this rebirth was the Patriarchate along with donations from wealthy islanders. Fatherhood and church records from that era are sparse, but it is clear that the community pooled its resources. The Ottoman authorities by then granted permits for such construction, especially as the island had become a popular summer retreat for Istanbul\u2019s Christians.<\/p>\n After World War I and the population exchanges of the 1920s, B\u00fcy\u00fckada\u2019s Greek population dwindled. The church nearly closed, but Turkish custodianship and dedicated caretakers kept it from falling into total neglect. By the late 20th century, however, the site was largely inactive, visited only on special occasions. The 1986 fire was a turning point: it galvanized the Orthodox community (now mostly centered in Istanbul) to rebuild the complex. Over the next decade, funds from Patriarchate patrons and donations allowed for thorough restoration. Today Aya Yorgi functions again as a working monastery: a resident monk lives there, services are held weekly, and pilgrims are welcomed year-round. In the era of modern Turkey it stands as a symbol of religious tradition rather than political power. Visitors remark on how unspoiled and peaceful the site feels, as if time on this hill has slowed down. Modern conveniences like the introduction of an electric utility taxi to reach the base of the climb (replacing the island\u2019s traditional horse-drawn buggies) coexist with age-old practices. Yet at its core, the church remains a quiet refuge \u2013 the same \u201choly peak\u201d that inspired the shepherd\u2019s devotion a millennium ago.<\/p>\n Every pilgrim\u2019s journey begins with the steep forest path up Aya Yorgi\u2019s hill, famously called Azap Yoku\u015fu<\/strong> (Turkish for \u201cRoad of Torment\u201d or \u201cRoad of Trial\u201d). This name reflects the path\u2019s difficulty and the rigorous mindset expected of climbers. The route is narrow and rocky, ascending about 200 meters through pine woods. Old stone steps in places give way to dirt and tree-rooted ground in others. Traditionally, pilgrims believed that enduring this struggle without complaint earned spiritual merit. One travel writer notes that it takes about 10\u201315 minutes<\/em> of brisk hiking from the trailhead to reach the church (roughly the length of a short steep workout). The trail is not paved, so sturdy shoes are advisable. As an Ottoman-era note: \u201cIpak\u201d or ropes were sometimes used to aid descent, but today the path is walked normally. At sunset the view from midway can already be stunning, but few reach the top that fast \u2013 most pause along the way.<\/p>\n Culturally, the Azap Yoku\u015fu is as important as the church itself. It is the physical embodiment of the pilgrim\u2019s devotion. According to local lore, if you successfully climb Azap Yoku\u015fu barefoot and silent, you achieve the status of a \u201cyar\u0131 hac\u0131\u201d<\/strong> (half-pilgrim). It is believed that any conversation or wavering on the path might break the spell of the pilgrimage. Thus modern visitors often pause their chatter \u2013 and even phone signals \u2013 until they reach the summit. The tradition of ascending in bare feet also persists on festival days (though most casual visitors wear shoes for safety). In short, Azap Yoku\u015fu isn\u2019t just a trail: it is an integral part of the ritual, reminding each climber of the effort behind every prayer.<\/p>\n Silence on the climb is key. Scholars note that \u201ca striking silence prevails all along the way\u201d<\/em>, as pilgrims fix their gaze on the path, moving only their lips to pray. This quiet ritual has multiple meanings: it creates a space for personal reflection, and symbolizes leaving worldly cares behind. According to field studies, pilgrims say silence intensifies their awareness of nature and gives them time \u201cto have this time for them with the divine\u201d. Legendarily, one must never look back<\/strong> once starting the ascent. The analogy comes from ancient stories (e.g. Lot\u2019s wife): by not looking back, the pilgrim severs ties with past misfortunes. Many believe turning around would nullify the prayer. You will often hear elders reminding younger climbers not to glance over their shoulder. In practice, whether silent by personal vow or swept up in the crowd\u2019s reverence, the climb usually ends with hushed awe rather than chatter.<\/p>\n Perhaps the most visible tradition of the climb is the tying of threads or ribbons. These come in two varieties: loose strings<\/strong> and cloth prayer flags<\/strong>. Upon arrival in the pine grove, pilgrims will often take a ball of string and unwind it as they ascend, tying the loose end to a branch at the bottom and trailing it all the way to the church<\/strong>. The thread is said to represent the pilgrim\u2019s life path or destiny; unfurling it symbolizes casting your hopes up toward God and St. George. If the string snaps, one legend warns that your wish may be lost to the sea below \u2013 so many pilgrims take care to tie it strongly!<\/p>\n Once inside the courtyard or near the holy spring, many pilgrims also tie colorful cloths or ribbons to bushes. This is an ancient Near Eastern custom: a way to leave a piece of yourself at the sacred site<\/em>. In Aya Yorgi\u2019s case, each color has meaning. Elderly guides explain that red<\/strong> cloth signifies love or missing someone, white<\/strong> stands for wishes of health and peace, and purple<\/strong> (or pink) is for hope of children. In the early 2020s even surgical masks (of all colors) were spotted hung as votives in memory of the pandemic \u2013 a modern twist on the age-old practice. Whether string or cloth, these offerings form a forest of wishes<\/em> that fringe the path and shrine, a vivid sign of collective yearning. One travel writer notes that if a pilgrim manages to string a thread along the entire<\/strong> path without breaking it, it is said to greatly enhance the chance of their wish coming true. Such practices turn the ascent into a living tapestry of devotion.<\/p>\n Aya Yorgi\u2019s current church building is solid yet unpretentious. It is constructed of clean white limestone blocks, typical of late Ottoman-era Orthodox churches. The front fa\u00e7ade is simple: one rectangular doorway topped by a small arched window; above it rises a modest dome clad in lead. To the west (entrance) side stands the square bell tower<\/strong> \u2013 a later addition finished in 1909. Its design is sparse: a four-sided clock or bell-face on each side, with a small conical roof. The bell tower is actually older (dating to 1751) than the present church, so it has an archaic feel. A flight of shallow steps leads up to the courtyard in front of the bell tower, lending the complex a triangular silhouette against the sky.<\/p>\n From the outside, Aya Yorgi blends Greek and Ottoman influences. The carved stonework is Byzantine in technique, but the church\u2019s overall effect is gentle rather than grandiose. There is one main dome over the central nave, and two half-domes over the side aisles \u2013 a common \u201cGreek cross\u201d plan. Narrow, tall windows punctuate the walls, admitting light but keeping the interior serene. A plain stone cross tops the roof. In sunny weather, the white walls gleam against the pines; in clouds, the bell tower and cupola take on a mystical quiet presence. This modesty reinforces the feeling that inside awaits something more, and that the real spectacle is the combination of worship and view.<\/p>\n Crossing the threshold, one enters a small nave. The ceiling is barrel-vaulted, and much lower than a typical cathedral \u2013 height is perhaps 6 meters (20 feet). The air is cool and smells faintly of beeswax candles and worn wood. Most visitors immediately notice the iconostasis<\/strong>, the ornate wooden screen that spans the width of the church before the altar. This multi-paneled partition is brightly painted or gilded (the paint is now slightly faded by time) and studded with icons of saints and Gospel scenes. The craftsmanship is delicate: columns and moldings frame each painted panel. Unlike grand city churches, Aya Yorgi\u2019s iconostasis is cozy in scale, creating an intimate sacred space. Behind one of the icons at the center is the miracle-working image of St. George; it is partially covered in silver plating \u2013 a Byzantine custom to both honor an icon and offer votive wealth. GeziBilen notes there is an \u201coriginal icon of Hagios Georgios completely covered with silver\u201d on the inner wall. Pilgrims often leave candles or flowers at this central icon.<\/p>\n Flanking the iconostasis are alcoves and a small wooden lectern. The walls and ceiling of the chapel are painted with simple frescoes \u2013 sometimes faded \u2013 depicting scenes like the Nativity and the Resurrection. Along the side walls hang dozens of smaller icons: these include a classic Panagia<\/em> (Virgin Mary with Child) and various saints. One notable panel shows St. George on horseback, spear in hand, poised above a subdued dragon in water \u2013 echoing the island legend. A narrow gallery or loft at the back was once for women or choir, now used for storage. The floor is paved with flagstone, and in front of the iconostasis one sees piles of ex-voto<\/em> offerings. These include small framed photos, gold or silver keepsakes, and handwritten prayer notes. Each object testifies to a personal story of hope.<\/p>\n Throughout this main chamber there is no pew or bench \u2013 worship is done standing or kneeling. Candles burn in metal stands (often carried by pilgrims), and the hush is broken only by the flicker of flames. In one corner sits a fenced marble holy spring<\/strong> (ayazma) \u2013 its water considered blessed. GeziBilen mentions that a room below the stairs houses this spring. Many visitors drink from it or let water touch their icons. Though small, every inch of the interior feels consecrated, as if the energy of centuries\u2019 worth of prayers still lingers.<\/p>\n Inside Aya Yorgi Church, the carved wooden iconostasis screens the altar. It is adorned with painted saints and a silver-covered icon of St. George slaying the dragon. (Church interior of Aya Yorgi)<\/em><\/p>\n The iconostasis itself is a lesson in Orthodox theology. In the center stands the Royal Doors<\/strong>, flanked by panels of saints. To the right (the Gospel side) one usually finds icons of St. George (the patron) and other warrior saints. To the left, icons of the Theotokos (Virgin Mary) and St. Nicholas are common. Along the top might run a row of smaller icons: Christ the Pantocrator, prophets, and the Creeds. In Aya Yorgi\u2019s screen, the colors are subdued earth tones, and gold leaf has worn off in spots. The travel press describes it simply as a \u201cmulti-colored wooden iconostasis covered with religious paintings\u201d<\/em> \u2013 and indeed it is multi-hued, mostly ochre and faded blues. Every image has its ritual place: worshippers make the sign of the cross before each in turn. The icon of St. George is the focal point: carved in relief, his figure mounted on horse with lance, and encased in silver. This icon is believed by many to have miraculous<\/em> power, so photographs or close-ups of it are frequently sought.<\/p>\n At services, only priests can pass through the Royal Doors into the altar. On ordinary days, one can approach the iconostasis closely. Visitors are welcome to step to the front and light a candle or lay down a flower. From a photographic standpoint, the iconostasis is one of the most elaborate features here \u2013 it conveys the Orthodox story visually: salvation, martyrdom, and the communion of saints are all represented in paint and wood.<\/p>\n Aside from the iconostasis, several individual icons stand out. The main St. George icon is set on a low table (or altar) just inside the sanctuary gate. It is partly obscured by metallic coverings and surrounded by a shrine of candles. No photo was available here, so describe: \u201ca small icon of a mounted saint.\u201d Pilgrims light tall candles before it and often place written prayers nearby. A legend on the door recounts that the original icon was found in the earth here in the 10th\u202fcentury; the one now displayed is a restored copy.<\/p>\n There are also icons of other local saints: for example, St. Thekla (celebrated Sept 24) has a niche in the wall, often draped with flowers on her feast day. The icon of the Virgin Mary (usually called Panagia Hodegetria) is likewise honored. Each icon is typically wooden and hand-painted, sometimes decades old. The frames are fairly plain, underscoring the sincerity of devotion over ornament. In sum, the icons turn the church into an open-air gallery of Orthodox faith: each paints a story of sacrifice or intercession meant to inspire hope.<\/p>\n The treasures of Aya Yorgi are mostly immaterial: votive candles, handwritten notes, crutches left by healed pilgrims, and ribbons on the trees outside. Inside, the church houses a register (a guestbook) where visitors sign their names and countries. There are no grand relics (like bones of saints) on display, but there are small relics embedded in the altar cloths. Many families offer silver or gold as thanks: you will see sconces or metal decorations made from old coins or jewelry. Even the candelabra might contain melted-down silver donated to the church over the years. All these contribute to a feeling of sacred continuity: every present-day visitor can touch the same icon that past generations revered.<\/p>\n Stepping outside the nave, note the free-standing bell tower<\/strong> directly in front. It is four stories tall, with a large bell on its upper level. The base is square and built of the same stone as the church. The bell is rung by hand (at the liturgy or before feast-day processions). On the ground near the tower\u2019s door is often a bowl of holy water.<\/p>\n Behind the church are the low buildings of the old monastery: living quarters for a priest, a small refectory, and storerooms. These are painted plain white and have a flat, tiled roof. A covered portico runs along one wall, offering shaded seating. This is where pilgrims often sit after climbing, drinking tea from the cafe or eating the traditional pilgrim\u2019s bread tirit<\/em>. Above one wing is a second small church or chapel \u2013 often called Aya Yorgi\u2019s \u201cupper\u201d church \u2013 which is used for larger gatherings. In old photos, you can see monks\u2019 cells upstairs (now restored).<\/p>\n All these buildings encircle a courtyard with scattered pine trees and benches. The effect is of a secluded monastery: there are no electric wires or traffic sounds, only birds and wind through the needles. Notably, the entire complex is oriented westward down the hill, so that the sunrise illuminates the church walls. From the outside one can appreciate how the modest monastery seems to grow organically from the hilltop, each structure connected by stone steps and pathways. It feels like a single purposeful unit \u2013 a holy village \u2013 rather than a tourist attraction.<\/p>\n It is important not to confuse Aya Yorgi\u2019s two church buildings. The \u201cOld Church\u201d<\/strong> (Eski Kilise) stands closer to the path of ascent. It is the older 1751 chapel: a charming two-story building with a sloping red roof. It is tiled and plain, and now used for small services or as an entrance foyer. Many visitors recognize it by its two balconies (upper and lower) and faded wooden crosses. Inside, it is very simple and has few decorations.<\/p>\n By contrast, the \u201cNew Church\u201d<\/strong> (built 1906\u201309) is the white stone basilica we have described. It is larger, with the dome and iconostasis. Both churches are oriented east-west, but the new one is built behind and above the old one. On pilgrimage days the old church is often packed first, then overflow pours out to the new one. The two together create the impression of one continuous sanctuary ascending the hill. Guides will often stop tourists at the old church (which now mainly functions as a schoolroom or meeting hall) and explain that the grander church uphill is the one they came to see.<\/p>\n In summary, Aya Yorgi appears architecturally modest, but each element \u2013 from the weathered tile roof of 1751 to the cut stone edifice of 1906 \u2013 tells part of its history. Together, they emphasize function over form: the sacred experience, not the spectacle of design, is what truly defines this place.<\/p>\n Every year on April 23 (the traditional feast of St. George) Aya Yorgi transforms into a vibrant pilgrimage site. By dawn, long queues form at the ferry piers in Istanbul as thousands head for B\u00fcy\u00fckada. This was vividly reported by the Turkish press: one article noted that \u201cthousands will be flocking out from Istanbul, boarding ferry boats to the Princes\u2019 Islands and then making the strenuous hike up the hill\u201d<\/em>. By late morning, the Azap slope is alive with pilgrims\u2014families, elderly women, and young devotees \u2013 many carrying bells or Greek flags. Police may cordon off parts of the road to manage the crowds. Despite the numbers, a collective silence prevails on the path, broken only by rustling footsteps and occasional whispered prayers.<\/p>\n Expect utter density. The courtyard in front of Aya Yorgi becomes jammed with people: some kneeling in prayer, others milling around buying candles or icons from the kiosk. Many families set out picnic spreads on the grass while waiting their turn to enter. Vendors circulate with bottles of holy water, small crosses, and souvenir tokens \u2013 though the vibe is more pilgrimage than fair. Mirroring local tradition, almost no one speaks; long-held torches or incense fill the air with a warm glow. Visitors report lines to light candles and countless requests to tie strings on the sacred trees. A travel magazine described how pilgrims \u201cascended the Azap slope in silence without looking back, tethering ropes to trees along the forest path\u201d, a dramatic image of devotion. The atmosphere is both solemn and festal: Greek hymns blend with murmured prayers, and church bells ring out in counterpoint. On sunny April days, hopeful faces are uplifted toward the dome and sky as if sharing their secrets with the saint.<\/p>\n For many local believers, attending on April 23rd is an annual pilgrimage. As one woman told reporters, she has been coming for \u201cfour or five years in a row\u201d<\/em> and firmly believes that each year \u201call my wishes have been accepted\u201d. Another parent described bringing her child to have his photo taken in front of the church after Sunday school lessons, a family tradition. One may hear people say simply, \u201cThis is a good memory\u201d<\/em> or \u201cchildren should know their faith\u201d<\/em> as an explanation for joining the crowds. After they pray and tie their ribbons, many pilgrims linger through the afternoon, enjoying the island\u2019s tea gardens or hiking the other side of the hill. In short, April 23rd is a full-day communal rite: as B\u00fcy\u00fckada\u2019s writer Hatice \u00d6z\u00e7elik observed, the ferry arrivals become \u201cjam-packed with people\u2026families, the lonely, the hopeful, and many first-timers all mixed together\u201d<\/em>. By sunset one often sees a horizon dotted with church lights and flickering candles \u2013 a final blessing to the event.<\/p>\n A lesser-known but still well-attended pilgrimage occurs on September 24th, the Feast of St. Thekla of Iconium. Tradition holds that Aya Yorgi\u2019s ayazma<\/em> (holy spring) was found on this date, which is why Thekla\u2019s feast now also draws devout (especially women praying for children or good marriages). Turkish sources note that \u201cevery year on April 23 and September 24, [Aya Yorgi] receives an influx of visitors\u201d<\/em>. The ritual is similar: barefoot silence, candle lighting, and string-tying. Locals quip that those who climb on these days \u201cbarefoot and without speaking\u201d are still \u201cyar\u0131 hac\u0131\u201d (half-pilgrims). The Sept 24 crowds are smaller (fewer Istanbulers make autumn weekends out of it), but the devotion is no less earnest. The weather is usually perfect at end of September, and for photographers the golden afternoon light can be magical.<\/p>\n Outside these peak dates, Aya Yorgi offers a very different experience. On a typical weekday or weekend in spring-summer (outside April\/Sept), only a trickle of visitors arrive. The church is almost empty; it\u2019s possible to sit on a bench in the courtyard and meditate with just the birds for company. The monks or caretakers (usually two at most) may greet you quietly in Greek or Turkish. Inside the sanctuary your footsteps echo; one has the iconostasis almost to oneself. Candles burn low; the only sound might be the church bell tolling once an hour or the rustle of wind through the pines. Pilgrim rituals (tying threads, walking barefoot) are rarely seen off-season, but visitors can still leave a prayer note or coin. In this serenity, people often linger to watch the changing sky over the sea, feeling the same sense of refuge with none of the crowds. In practical terms, quiet days mean no waits, easy parking (if driving on B\u00fcy\u00fckada is allowed), and the chance to ask the caretaker questions. For those seeking calm or closer study of the church, a non-pilgrimage day is ideal.<\/p>\n Ferry to B\u00fcy\u00fckada:<\/strong> The only way to reach the island is by boat. Istanbul\u2019s public ferry system (\u015eehir Hatlar\u0131) runs multiple lines to the Princes\u2019 Islands. Key departure points are Emin\u00f6n\u00fc<\/strong> and Kabata\u015f<\/strong> on the European side, and Kad\u0131k\u00f6y<\/strong> and Bostanc\u0131<\/strong> on the Asian side. Some ferries run direct to B\u00fcy\u00fckada, while others stop at the smaller islands first. Ferries are frequent in summer (roughly every 30\u201360 minutes from each pier) and slower but still available year-round. Tickets are bought from the pier or can be paid with an Istanbulkart. Note: the trip takes about 50\u201380 minutes (depending on starting point). In busy seasons, ferries to B\u00fcy\u00fckada may be crowded \u2013 try to catch an earlier one to avoid standing-room-only conditions. Tip:<\/strong> Ferries have restrooms onboard.<\/p>\n Upon arriving at B\u00fcy\u00fckada\u2019s main dock, you are about 3 kilometers (nearly 2 miles) from Aya Yorgi\u2019s hillside. There are several ways to cover this distance:<\/p>\n Note:<\/em> You will no longer see horse-drawn carriages on the way. B\u00fcy\u00fckada\u2019s historic phaetons have been replaced by the new electric buses, as local sources cheerfully report. Some visitors lament this modernization, but most agree that a quiet battery bus and few engine fumes is a better backdrop for an ascending pilgrim.<\/p>\n Now you face the final climb: Azap Yoku\u015fu<\/strong> itself. From the drop-off point (or bike dismount), look for the sign-posted trail. You will see many other pilgrims ahead. There is no fee to enter the church grounds, and you may go up at any pace. A few final stairs lead to the church courtyard at the top. Take a moment to catch your breath and enjoy the view \u2013 you\u2019ve earned it. Ahead lies the courtyard, the bell tower, and the open door of Aya Yorgi Church.<\/p>\n Aya Yorgi is often just one highlight of a B\u00fcy\u00fckada excursion. The island offers many other sights to fill a day or a lazy weekend.<\/p>\n Immediately below the church is Y\u00fccetepe K\u0131r Gazinosu<\/strong>, a pavilion-style restaurant and tea garden built to serve pilgrims. Its tables offer spectacular panorama of Istanbul and the Marmara Sea. The menu is simple: tea, Turkish coffee, lemonade, grilled corn, and snacks like g\u00f6zleme (flatbread) or g\u00f6zleme-like pastries. The prices are higher than in town (caf\u00e9 prices on the hill), but many consider it part of the experience. On feast days it is busy with families, and local guides mention it in almost every account of Aya Yorgi. Critics sometimes call it a \u201ctourist trap\u201d<\/em>, but it is also a convenient place to rest. The tiled roof and open-air terrace mean you can sit and still see the church above \u2013 it feels like a second sanctuary of refreshment.<\/p>\n Back near the ferry pier, do not miss the B\u00fcy\u00fckada Rum Yetimhanesi<\/strong> \u2013 a massive abandoned wooden complex dating from 1898. Once the largest orphanage in the empire, its dark wood facade has a fairytale quality. Though eyesore-level ruined in parts, its size is astonishing: Europe\u2019s largest wooden building and second largest in the world. The nearby square has been turned into a museum (the Museum of the Princes\u2019 Islands<\/em>) housed partly in these buildings. Even from outside you can see ornate columns and peeling paint. It is an eerie, poignant sight \u2013 one guide notes that on Ayia Yorgi Day families often pass by it, contemplating its faded grandeur. Photo enthusiasts should peek through the gates (when open), but be respectful and watch for signs of restoration.<\/p>\n B\u00fcy\u00fckada harbors a mini-ecumenical tour. In the valley between its two peaks sits the Ayios Nikolaos (St. Nicholas) Church and Convent<\/strong>, originally built in the 6th century. Today it is an Ottoman-era ruin housing the Princes\u2019 Islands Museum, with Byzantine tiles visible inside. Near the dock stands the late 19th-century Hamidiye Mosque<\/strong> (built by Sultan Abd\u00fclhamid II) \u2013 a reminder that Islam and Christianity have shared space on this island. Further attractions include two small Greek chapels (Panagia and Hagios Demetrios) and the elegant San Pacifico<\/strong> (a Catholic Franciscan church with Baroque interior), and the Surp Asdvadzadzin<\/strong> Armenian Church. None of these require a long climb; they can be walked or bicycled to from the center. Architecture buffs enjoy how, within a few blocks, one can step from a gilded Catholic altar into an Orthodox basilica or a historic mosque, witnessing Istanbul\u2019s plural heritage on B\u00fcy\u00fckada.<\/p>\n If Aya Yorgi has given you a dose of spirituality, the island\u2019s famous wooden mansions will delight the imagination. Lining many streets are pastel-painted yali houses and grand mansions built in the 19th and early 20th centuries. The Con Pasa K\u00f6\u015fk\u00fc, Yelkencizade Mansion, and others are especially well-known. These multi-story wood houses often have wraparound porches and ornate fretwork. The island even has a \u201cHistorical Mansion Center\u201d where you can learn more or arrange a tour. Many can be viewed from the street; a few operate as caf\u00e9s or boutique hotels. Note that taking photos from a respectful distance is fine, but do not enter private gates without permission. A leisurely walk (or bike ride) through the island\u2019s residential lanes feels like stepping back into late-Ottoman aristocratic life.<\/p>\n After climbing and praying, a swim can be very refreshing. B\u00fcy\u00fckada offers several family-friendly beaches. The best-known is Y\u00f6r\u00fckali Beach<\/strong> on the eastern shore. It has a sandy shore, clear water, and a beachside caf\u00e9 with umbrellas. Other small coves dot the eastern coastline; none are rocky nor very deep, making them safe for children. Popular times are late afternoon (when Aya Yorgi pilgrims might descend for sunset), but you will rarely have to queue like in Istanbul pools. Bring swimwear and a towel if weather permits; on a hot day the sea breeze will feel wonderful on tired pilgrims. One Turkish guidebook notes that \u201cB\u00fcy\u00fckada offers the most beaches\u2026 of all the islands\u201d \u2013 so it is indeed an unexpected bonus for an island known mainly for churches.<\/p>\n The summit of Aya Yorgi itself is prime for panoramas. From the church courtyard or terrace, you can look out in all directions. Facing west, the camera captures the silhouette of Istanbul\u2019s coastal tree line. Eastward, the Marmara Sea opens toward the Princes\u2019 group. Many photographers also climb a short flight of stairs behind the church for an even higher view. Alternatively, stand on the deck of Y\u00fccetepe caf\u00e9; its raised platform yields a sweep of island rooflines with Aya Yorgi dome in the foreground. For sunset shots, a lookout point a few minutes\u2019 walk northwest of the church (a small abandoned guard booth) is said to catch warm light behind the silhouette of Aya Nikola\u2019s ruins. Finally, don\u2019t neglect the ferry crossing: approaching B\u00fcy\u00fckada from Istanbul offers a wide-angle perspective of both ferry and island lit by morning or afternoon sun.<\/p>\n Inside Aya Yorgi Church, there are rich subjects. The golden glow of lit candles and the colors of the icons make for compelling close-ups. Focus on the iconostasis<\/strong> carvings or the silver St. George icon. The flicker of a single prayer candle by a ribbon-covered wall can be very atmospheric. Outside, capture the tapestry of ribbons and strings<\/strong> along Azap Yoku\u015fu. The contrast of the bright prayer ribbons against the dark pines is striking; try different depths of field. Portraits of pilgrims (ask permission) tying a knot or pausing in prayer can tell the human side of the story. Also photograph the bells and Eastern Orthodox crosses, which cast interesting shadows.<\/p>\n As with many scenic spots, Aya Yorgi shines at dawn and dusk. If you visit early, the city in the distance will have the sunrise glow, and the soft light filters through the trees. Arriving at the end of the day means you may catch the sun dipping behind the horizon as you descend. The warm color of the light enhances the yellow stone and red roof tiles. Many photographers advise timing your climb to coincide with these hours if the pilgrimage schedule is flexible. Note that the candles in the church compound at twilight create a mystical ambiance, so a long exposure of the church at dusk (with people blurred or removed) can be very picturesque.<\/p>\n When photographing inside Aya Yorgi, always be respectful. Do not set up tripods during services, and keep voices low. Avoid using flashes or loud camera shutters that might interrupt someone\u2019s prayer. It is generally fine to take pictures of the architecture and icons as long as you stand quietly. If you see clergy or monks, do ask permission before photographing them. Always turn off your flash and mode on silent. The best practice is to make one circuit of the interior shooting quickly but unobtrusively; spend the rest of your time absorbing the scene with your eyes.<\/p>\n Is Aya Yorgi Church worth visiting?<\/strong> Can you go inside the Church of St. George?<\/strong> What is the best time of year to visit B\u00fcy\u00fckada?<\/strong> How long does it take to see Aya Yorgi Church?<\/strong> Are there restrooms and other facilities at the top?<\/strong> Is the site accessible for people with mobility issues?<\/strong>The Patriarchal Cathedral in Fener: The Heart of Orthodoxy<\/h3>\n
The Monastery on B\u00fcy\u00fckada: The Hill of Hope<\/h3>\n
Comparison of the Two St. George Churches<\/h4>\n
\n\n
\n \nFeature<\/th>\n Fener (Patriarchal)<\/th>\n B\u00fcy\u00fckada (Aya Yorgi)<\/th>\n<\/tr>\n<\/thead>\n \n Location<\/strong><\/td>\n Istanbul (Fener district)<\/td>\n Princes\u2019 Islands, B\u00fcy\u00fckada<\/td>\n<\/tr>\n \n Function<\/strong><\/td>\n Seat of Ecumenical Patriarch; official cathedral<\/td>\n Hilltop pilgrimage church and monastery<\/td>\n<\/tr>\n \n Founded<\/strong><\/td>\n Ancient (6th c. basilica; current structure 19th c.)<\/td>\n Legend 963 AD; documented church from 1751 onward<\/td>\n<\/tr>\n \n Architecture<\/strong><\/td>\n Large basilica with domes; ornate iconostasis in a Patriarchal compound<\/td>\n Small cross-shaped church with single dome and separate bell tower (completed 1909)<\/td>\n<\/tr>\n \n Feast Days<\/strong><\/td>\n Various Orthodox liturgies year-round<\/td>\n Major pilgrimages April 23 (St. George) and Sept 24 (St. Thekla)<\/td>\n<\/tr>\n \n Visitors<\/strong><\/td>\n Orthodox faithful, clergy, tourists<\/td>\n Local and foreign pilgrims, tourists seeking serenity<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n The Enduring Legends and Miracles of St. George<\/h2>\n
Who Was Saint George? The Dragon-Slayer and Martyr<\/h3>\n
The Founding Legend: How St. George Saved the Monastery from the Depths<\/h3>\n
Miracles on the Hill: Stories of Healings and Granted Wishes<\/h3>\n
The Enduring Power of Myth and Faith at Aya Yorgi<\/h3>\n
The Complete History of Aya Yorgi Monastery<\/h2>\n
The Byzantine Origins: Tracing the First Foundations (AD 963)<\/h3>\n
Destruction and Rebirth: The Fourth Crusade and a Period of Silence<\/h3>\n
The 18th Century Revival: Rebuilding the \u201cOld\u201d Church (1751)<\/h3>\n
The 19th\u201320th Century: Building the New Monastery (1906\u20131909)<\/h3>\n
A Visual Timeline of Key Events<\/h4>\n
\n
The 20th Century: The Modern Monastery and Its Place in the Republic<\/h3>\n
The Sacred Climb: A Step-by-Step Guide to the Pilgrimage Path<\/h2>\n
The \u201cAzap Yoku\u015fu\u201d (Road of Torment): What Is It and Why Is It Important?<\/h3>\n
The Tradition of the \u201cSilent Climb\u201d: Purpose and Practice<\/h3>\n
Tying the Threads: The Ritual of Making a Wish<\/h3>\n
A Practical Guide to the Climb<\/h3>\n
\n
Architectural Deep Dive: The Art and Structure of the Church<\/h2>\n
Exterior Analysis: A Humble Facade with a Powerful Presence<\/h3>\n
Inside the Main Church: An Intimate Space for Reflection<\/h3>\n
The Iconostasis: A Guide to the Saints and Scenes Depicted<\/h4>\n
Notable Icons: The Miraculous Icon of St. George<\/h4>\n
Other Significant Relics and Votive Offerings<\/h4>\n
The Bell Tower and Surrounding Monastery Buildings<\/h3>\n
Comparing the \u201cOld\u201d and \u201cNew\u201d Church Structures<\/h3>\n
The Heart of the Pilgrimage: St. George\u2019s Day and Other Holy Days<\/h2>\n
April 23rd (St. George\u2019s Day): The Peak of the Pilgrimage<\/h3>\n
What to Expect: Crowds, Rituals, and Atmosphere<\/h4>\n
A First-Hand Account of the Celebration<\/h4>\n
September 24th: The Feast of St. Thekla and a Second Pilgrimage<\/h3>\n
Visiting on Non-Pilgrimage Days: The Quiet and Contemplative Experience<\/h3>\n
Your Complete Visitor\u2019s Guide to Aya Yorgi Church<\/h2>\n
Step 1: Getting to B\u00fcy\u00fckada<\/h3>\n
Step 2: Getting from the B\u00fcy\u00fckada Port to the Base of the Hill<\/h3>\n
\n
Step 3: Reaching the Summit<\/h3>\n
Essential Information<\/h3>\n
\n
Beyond the Church: Exploring the Rest of B\u00fcy\u00fckada<\/h2>\n
The Y\u00fccetepe K\u0131r Gazinosu: The Famous Hilltop Restaurant<\/h3>\n
The Former Greek Orphanage: The Largest Wooden Building in Europe<\/h3>\n
Other Monasteries and Churches on the Island<\/h3>\n
Exploring the Historic Ottoman-Era Mansions<\/h3>\n
Beaches and Swimming Spots for a Post-Pilgrimage Dip<\/h3>\n
A Photographer\u2019s Guide to Aya Yorgi and B\u00fcy\u00fckada<\/h2>\n
Best Vantage Points for Panoramic Island Views<\/h3>\n
\n
Capturing the Details: Icons, Candles, and Votive Offerings<\/h3>\n
\n
The Golden Hour: Best Times for Magical Lighting<\/h3>\n
Respectful Photography Inside the Church<\/h3>\n
Frequently Asked Questions (FAQ)<\/h2>\n
\nFor many visitors, Aya Yorgi is a highlight of their Istanbul trip. It is unique as one of Turkey\u2019s two Christian pilgrimage shrines, offering both spiritual depth and island charm. Even casual tourists often find the experience moving: the combination of a gentle forest climb, panoramic views, and centuries-old church is unlike any urban attraction. News reports on pilgrimage days speak of \u201cthousands\u201d<\/em> drawn by the church\u2019s traditions, a testament to its enduring allure. If you appreciate history, architecture, or tranquil escapes, it is highly recommended. (On the other hand, if you dislike walking or crowds, you might prefer visiting on an off-peak weekday.)<\/p>\n
\nYes. Aya Yorgi is an active place of worship that welcomes visitors. It is normally open daily to the public. According to local guides, the visiting hours are roughly 8:30\u202fAM\u20134:00\u202fPM<\/strong> on most days (on Sunday mornings the church may close around noon for services, resuming shortly afterward). Entrance is free. Inside, you are free to look around, light a candle, or speak with the monk if present. If a service is in progress, you may need to wait outside until it finishes, but clergy are usually happy to invite you in afterward.<\/p>\n
\nClimatically, the island is pleasant year-round (it snows very little). The busiest times are spring (April\u2013June) and fall (September\u2013October) for their moderate weather and festival crowds. For pilgrimage:<\/strong> plan for April 23 or September 24 if you want to witness or join the feast rituals. For light crowds and milder conditions, late spring and early autumn are ideal \u2013 the air is warm but not scorching. High summer (July\u2013August) is hot and can be crowded on weekends, but beaches are most inviting then. Winter visits are peaceful and have the quietest trails, but the ferry schedule is reduced and some island businesses close. In short: spring and fall offer a good balance of accessibility and atmosphere.<\/p>\n
\nSeeing the church itself is quick \u2013 once at the top, spending 15\u201330 minutes inside is enough to admire the icons and pray. However, the overall trip (including getting to the hill and climbing) can easily take half a day. For example, factor 30\u201360 minutes<\/strong> for ferry transit (from Istanbul), plus 15\u201330 minutes from the B\u00fcy\u00fckada pier to the climb. Allow at least 30\u201340 minutes to walk or ride up Azap Yoku\u015fu (longer if you stop to tie threads). Many people spend additional time exploring the courtyard, lighting candles, and enjoying the view. Overall, a comfortable visit often lasts 3\u20134 hours round-trip from Istanbul. Add extra time if you plan to dine at Y\u00fccetepe or tour the rest of B\u00fcy\u00fckada as well.<\/p>\n
\nThere are no dedicated public restrooms in the Aya Yorgi compound. Pilgrims often use the facilities at the Y\u00fccetepe restaurant (they are generally open when the caf\u00e9 is serving). Otherwise, go before you leave town or use the ferry restroom (which is small but functional). The caf\u00e9 on the hill has drinks and snacks, so you can refresh there. There is seating in the courtyard for rest. Small shops and vendors at the church sell candles, icons, prayer ribbons, and souvenirs \u2013 bring some cash if you want to buy offerings. The on-site \u201cshop\u201d is informal: a monk or volunteer will help you with purchases.<\/p>\n
\nRegrettably, Aya Yorgi Church is not wheelchair-friendly<\/strong>. The steep, uneven climb is challenging even for fit hikers. The path (Azap Yoku\u015fu) has many steps and rough terrain, and only the final approach to the church is paved. There is no vehicle access to the top and no ramps. For those who have difficulty walking, it would be very hard to reach the church. The only relatively accessible parts of the island are the roads by the shore (flat and paved). Even people with mild walking limitations should take care, and may prefer to remain in the nearby village and enjoy other island sights. If you have mobility concerns, consider visiting Aya Yorgi vicariously through travel reports, or see if a local guide can arrange minimal walking (but note the path itself is the main feature).<\/p>\n","protected":false},"author":1,"template":"","listivo_14":["Churches & Cathedrals"],"listivo_2723":[],"listivo_8964":["Istanbul"],"listivo_8976":[],"class_list":["post-13173","listivo_listing","type-listivo_listing","status-publish","hentry","listivo_14-churches-cathedrals","listivo_8964-istanbul"],"listivo_145":["https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-10.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-8.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-3.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-1.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-6.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-5.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-2.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-9.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-7.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-11.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-12.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-13.jpg","https:\/\/travel-turkey.b-cdn.net\/wp-media-folder-travel-s-helper\/wp-content\/uploads\/2025\/02\/Church-of-St.-George-4.jpg"],"listivo_8965":"","listivo_8966":[],"listivo_8967":{"address":"Insel B\u00fcy\u00fckada, Nizam, 34970 Adalar\/\u0130stanbul, T\u00fcrkiye","location":{"lat":40.8487989,"lng":29.1189894}},"listivo_27883":{"url":"","embed":""},"listivo_27887":{"url":"","embed":""},"listivo_8968":["10\u202fAM\u20134\u202fPM"],"listivo_8969":["10\u202fAM\u20134\u202fPM"],"listivo_8970":["10\u202fAM\u20134\u202fPM"],"listivo_8971":["10\u202fAM\u20134\u202fPM"],"listivo_8972":["10\u202fAM\u20134\u202fPM"],"listivo_8973":["10\u202fAM\u20134\u202fPM"],"listivo_8974":["10\u202fAM\u20134\u202fPM"],"listivo_344":[],"listivo_27412":{"url":"","embed":""},"listivo_27270":{"url":"","embed":""},"listivo_27431":{"url":"","embed":""},"listivo_345":{"url":"","embed":""},"listivo_26999":{"url":"","embed":""},"listivo_26941":{"url":"","embed":""},"listivo_26924":{"url":"","embed":""},"listivo_27108":{"url":"","embed":""},"listivo_26978":{"url":"","embed":""},"listivo_26979":{"url":"","embed":""},"listivo_27356":{"url":"","embed":""},"listivo_27361":{"url":"","embed":""},"listivo_27105":{"url":"","embed":""},"listivo_27369":{"url":"","embed":""},"listivo_27100":{"url":"","embed":""},"listivo_27111":{"url":"","embed":""},"listivo_27153":{"url":"","embed":""},"listivo_27256":{"url":"","embed":""},"listivo_27260":{"url":"","embed":""},"listivo_27265":{"url":"","embed":""},"listivo_27281":{"url":"","embed":""},"listivo_27288":{"url":"","embed":""},"listivo_27294":{"url":"","embed":""},"listivo_27300":{"url":"","embed":""},"listivo_27305":{"url":"","embed":""},"listivo_27073":{"url":"","embed":""},"listivo_27309":{"url":"","embed":""},"listivo_27335":{"url":"","embed":""},"listivo_27416":{"url":"","embed":""},"listivo_27420":{"url":"","embed":""},"listivo_27442":{"url":"","embed":""},"listivo_27448":{"url":"","embed":""},"listivo_27459":{"url":"","embed":""},"listivo_27472":{"url":"","embed":""},"listivo_27478":{"url":"","embed":""},"listivo_27496":{"url":"","embed":""},"listivo_27518":{"url":"","embed":""},"listivo_27542":{"url":"","embed":""},"listivo_27579":{"url":"","embed":""},"listivo_27618":{"url":"","embed":""},"listivo_27656":{"url":"","embed":""},"listivo_27681":{"url":"","embed":""},"listivo_27722":{"url":"","embed":""},"listivo_27750":{"url":"","embed":""},"listivo_27799":{"url":"","embed":""},"listivo_27825":{"url":"","embed":""},"listivo_27829":{"url":"","embed":""},"listivo_27836":{"url":"","embed":""},"listivo_27840":{"url":"","embed":""},"listivo_27844":{"url":"","embed":""},"listivo_27888":{"url":"","embed":""},"listivo_27890":{"url":"","embed":""},"listivo_27958":{"url":"","embed":""},"listivo_28045":{"url":"","embed":""},"listivo_28134":{"url":"","embed":""},"listivo_28135":{"url":"","embed":""},"listivo_28136":{"url":"","embed":""},"listivo_28137":{"url":"","embed":""},"listivo_28138":{"url":"","embed":""},"listivo_28139":{"url":"","embed":""},"listivo_28140":{"url":"","embed":""},"listivo_28141":{"url":"","embed":""},"listivo_28142":{"url":"","embed":""},"listivo_28143":{"url":"","embed":""},"listivo_28144":{"url":"","embed":""},"listivo_28145":{"url":"","embed":""},"listivo_28146":{"url":"","embed":""},"listivo_28147":{"url":"","embed":""},"listivo_28148":{"url":"","embed":""},"_links":{"self":[{"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listings\/13173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listings"}],"about":[{"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/types\/listivo_listing"}],"author":[{"embeddable":true,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listings\/13173\/revisions"}],"predecessor-version":[{"id":18193,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listings\/13173\/revisions\/18193"}],"wp:attachment":[{"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/media?parent=13173"}],"wp:term":[{"taxonomy":"listivo_14","embeddable":true,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listivo_14?post=13173"},{"taxonomy":"listivo_2723","embeddable":true,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listivo_2723?post=13173"},{"taxonomy":"listivo_8964","embeddable":true,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listivo_8964?post=13173"},{"taxonomy":"listivo_8976","embeddable":true,"href":"https:\/\/travelshelper.com\/turkey\/wp-json\/wp\/v2\/listivo_8976?post=13173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}