The Asansör, a landmark in İzmir’s Karataş district, represents innovation and history. In 1907, rich Jewish banker and businessman Nesim Levi Bayraklıoğlu built this distinctive building to facilitate travel between the high cliffs that divided two areas of the Karataş district. The Asansör is a symbol of innovation and a practical mode of transportation in İzmir. It reflects the city’s rich cultural tapestry and captures the essence of its past.
Historically, a difficult geography kept Izmir’s Karataş district—with its steep hills and stunning cliffs—cut off. Residents either had to travel a great distance or mount the difficult 155-step stair known as Karataş Stairs to get between the Mithatpaşa Avenue on the ocean and Halil Rıfat Paşa neighborhood located on higher level. For the locals, particularly those with big products, this was a great difficulty. Inspired by such inventions he had seen in European towns, Nesim Levi Bayraklıoğlu came up with the concept of building an elevator to solve these problems. His idea came to pass as a unique brick-and- stone elevator tower finished in 1907, built from bricks imported from Marseille. Apart from serving the Karataş people, the construction had two purposes: it let goods and people get over the steep slope.
Fascinatingly, the profits of the elevator helped the Karataş Jewish Hospital, giving it vital financial assistance until the building sold in 1942. With Hebrew and French languages reflecting the city’s varied legacy, the tower, with its French inscription “Ascenseur Construit Par Mon. Nissim Levy 1907,” serves as a moving reminder of the cosmopolitan past of İzmir.
The importance of the elevator in the area goes beyond its capacity as a method of physical mobility. Originally Asansör Street, the street leading to it also has cultural significance. Renowned worldwide vocalist Darío Moreno, who came from İzmir, established his residence here in the 1940s. His stay in the city signaled the start of a closer cultural relationship to the neighborhood; after his death, the street was renamed Darío Moreno Street to commemorate the artist. This name change for the street symbolizes the great influence Moreno had on the neighborhood, therefore guaranteeing that his memory lives on in the city today.
Though it has been neglected and closed at times, the Asansör has been painstakingly rebuilt in recent years. Following donation to the İzmir Metropolitan Municipality in 1983, the elevator was rebuilt under Mayor Burhan Özfatura’s direction in 1985. This repair signaled the change from a combined steam and electric operation to a totally electric-powered elevator. Additional repairs in the 1990s guaranteed that the structure would remain an open point of access for the public and aid to maintain its historical integrity. The elevator is still in running condition as of right now; it has become a cherished emblem of İzmir’s tenacity and dedication to protect its legacy.
The Asansör nowadays is more than simply a working elevator; it’s a dynamic cultural center with a range of events linked to its rich past.
The Asansör is a representation of İzmir’s resilience, rich legacy, and capacity to meet local demands, not just a functional work of infrastructure. Whether one goes for the amazing views, the historical relevance, or the opportunity to explore the nearby area, the Asansör provides a multifarious experience that speaks to the core of İzmir. From its beginnings as a public utility to its present position as a revered monument, the Asansör remains a potent emblem of the city’s ongoing vitality and dedication to safeguarding its particular cultural legacy.